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Sugar Hill is considered the second installment in scripwriter Barry Michael Cooper’s “Harlem Trilogy.” It is also the weakest link, not necessarily a bad thing when the chain also includes New Jack City and Above the Rim (we may, to a certain extent, attribute the varying quality among the three films to being each directed by a a different filmmaker); unfortunately, it isn’t all that good in a vacuum either. Lacking the originality of New Jack, Sugar Hill could be described as The Blackfather (I would also accept Blacklito’s Way), although it reaches much farther back than that; the film is a tragedy in the classic sense of the word – or at least it would be if it didn’t have one scene too many, specifically a tacked-on semi-happy ending (the previous scene, involving a climactic yet clichéd Gun Struggle, doesn’t do the movie any favors either). As a Godfather clone, Sugar Hill knows the words but not the music. For instance, evil drug dealer Lolly Jonas (Ernie Hudson) kills good drug dealer Roemello Skuggs's (Wesley Snipes) best friend Goggles (Steve Harris), but instead of seeking retaliation, and hoping to avoid more bloodshed, Roemello makes a precarious truce with Lolly which is broken by Roemello’s older but less competent brother Raynathan (Michael Wright). At the same time, Roemello is looking to quit the drug business and settle down with his new girlfriend Melissa (Theresa Randle), who rhetorically asks him “Do you know that every time I go out with you, somebody dies?” (that’s a breakup line you don’t hear every day). I get it. I really do. Roemello is Don Corleone – both Mike and Vito –, Goggles is Sonny, Raynathan is Fredo, Melissa is Kay, and so on and so forth. Hell, the cast even includes Abe Vigoda, who played treacherous caporegime Sal Tessio in the first Godfather. On the other hand, what I’m not quite sure about is why exactly Lolly kills Goggles in the first place other than because he’s the bad guy and to speed things along. Another character that exists solely as a victim to be sacrificed on the altar of plot developments is Kymie (Donald Faison), a young, dumb wannabe gangsta who appears in literally two (2) scenes; he’s like Solomon Grundy except he dies on Tuesday instead of Saturday. Something else New Jack has that Sugar Hill doesn’t is perspective. I mentioned above that Roemello is a “good drug dealer”, an assessment made possible because the movie expresses almost no interest in the effects of drug addiction, and when it does, we catch it in a glaring contradiction; the only two characters who experience firsthand the ravages of chemical dependence are Roemello’s parents, so that his becoming a pusher makes as much sense as if the murder of Bruce Wayne’s mother and father had inspired him to become a murderer himself as opposed to a crime fighter.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Both Danny Stein and Tony Vilachi are drug lords in a struggle to gain control of the same territory. Jonathan and Mickey are ex-cons who come in wearing white hats and attempt to settle the dispute.
A joint task force operation between the Drug Enforcement Administration and the U.S. Army has been formed to dismantle one of the largest drug cartels operating in South America. Multiple attempts to assault the cartel's mountainous compound have been thwarted by a Scorpion-attack helicopter piloted by a cartel leader, Eric Stoller (Bert Rhine). After having several aircraft shot down, most notably a pair of UH–60 Black Hawks and their AH–1 Cobra escorts, the army turns to the new AH–64 Apache attack helicopter, which can match its enemies' maneuverability and firepower.
A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him, and lead a better life outside NYC.
Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?
A TransSiberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video-game championship.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.