El Gran Circo Chamorro

The story of Ace Eli Walford, a 1920s stunt flyer who barnstorms around the country, taking his eleven-year-old son Rodger with him as he goes from town to town. The place is rural Kansas, and the time is midsummer in the early nineteen-twenties, not long after World War I. Eli (Cliff Robertson), a barn storming pilot who has the emotional make-up of an 11-year-old, and Rodger (Eric Shea), his 11-year-old son who possesses the wisdom of the ancients, set off to see the world, which means flying all the way to San Willow. To Eli, San Willow seems to be as fabled as Xanadu and quite as remote. In essence, "Ace Eli and Rodger of the Skies" is about the adventures of Rodger and Eli getting from nowhere to nowhere. Eli, a killer with the ladies at first, always leaves them unsatisfied. He seems to have a sex problem. Rodger spends a lot of his time getting his dad out of scrapes. He also drinks, smokes and goes to sleep at night crying for his deceased mom.

In the supercharged world of dirt track racing, a single mistake causes the lives of two men to change forever. One must fight for his family, the other must fight to forgive.

A young boy travels across Australia with his father, who's wanted by the law.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.

Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year's Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Malcolm McGregor joins the circus and falls in love with Olive Borden but his life changes when he finds out he is a titled Lord.

The story is about a poor lorry driver named Bhaskaran (Kalabhavani Mani), who tries to give his son Kunjunni (Ashwin Thampi), a good education by sending him to a very expensive school. The rest of the story revolves around the events Kunjunni goes through in his life.

A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.