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Nigel Patrick and Valerie Hobson are both on good form as the spatting siblings in this love quadrangle of a film. Sadly, though - Anthony Kimmins' direction is way too theatrical in style to allow their characters to breathe to anything like the extent needed to bring out the best in this quite witty little story. George Cole is good as the rather hapless "Pte. Crisp" who loves a girl "Christine" (Peggy Cummins), but so to does commanding officer "Maj. Ashley" (Anthony Bushell). The siblings interfere for their own reasons in the affairs of the girl and ultimately it all just gets out of hand. I suspect it would work quite well on the stage, the dialogue has a pace and a sort of hand-to-hand combat about it that if not quite a battle, offers a skirmish of the sexes; but neither star is let loose enough to really soar and what we are left with is all just too predictable. There's a nice cameo from AE Matthews near the end, but otherwise it's all just a bit hollow. Worth watching for the scenes with Hobson and Patrick; but it's really quite a missed opportunity.
While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.
In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
The unruly schoolgirls of St Trinian's are more interested in men and mischief than homework and hockey. But greater trouble than ever beckons when the arrival at the school of Princess Fatima of Makyad coincides with the return of recently expelled Arabella Fritton, who has the kidnap of a prize racehorse on her mind. The first film in the classic comedy series.
Brian and Charlie work for a gangster. When the boss learns they want to "leave" he sets them up to be killed, after they help rob the local Triads of their drug dealing profits. Brian and Charlie decides to steal the money for themselves, but when their escape doesn't go to plan, they have to seek refuge in a Nuns' teacher training school.
A lowly pencil pusher working for MI7, Johnny English is suddenly promoted to super spy after Agent One is assassinated and every other agent is blown up at his funeral. When a billionaire entrepreneur sponsors the exhibition of the Crown Jewels—and the valuable gems disappear on the opening night and on English's watch—the newly-designated agent must jump into action to find the thief and recover the missing gems.
Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.