Bill Laswell - World Beat Sound System: Live at Soundstage

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

A documentary series finale analysing the entirety of Twenty One Pilots' new full-length studio album "Trench". Jimmy not only uncovers the stories of internal pain and fear that Tyler Joseph tells through the songs on the album. But, he also learns to overcome his own personal fears.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Frontman/guitarist Tom Petty, guitarist Mike Campbell, bassist Ron Blair, keyboardist Benmont Tench and drummer Stan Lynch opened their taping at WDR Studio-L in Cologne with the rarity “Surrender.” A cover of Chuck Berry’s “Jaguar and Thunderbird” was performed next, followed by “American Girl.” Other well-known originals filling out the setlist include “Listen To Her Heart” and “Breakdown.” The taping concluded with back-to-back covers of Bobby Troup’s “Route 66” and The Isley Brothers’ “Shout.”

Come Out and Play, All I Want, Want You Bad, Staring at the Sun, Make It All Right, In the Hall of the Mountain King (Edvard Grieg cover) (with "Smoke on the Water" and "Iron Man" riffs as intro), Blitzkrieg Bop, (Ramones cover), Hammerhead, Bad Habit, Gotta Get Away, Drum Solo, Why Don't You Get a Job?, Pretty Fly (for a White Guy), The Kids Aren't Alright Encore: You're Gonna Go Far, Kid, Self Esteem

Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture.

After a deadly incident involving her producer, rising pop star Naya flees with her sister and ailing father to a remote village. There, she’s forced to hide her identity and perform as a dangdut singer—while struggling to escape her past and the law closing in.

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.

A Reno singer witnesses a mob murder and the cops stash her in a nunnery to protect her from the mob's hitmen. The mother superior does not trust her, and takes steps to limit her influence on the other nuns. Eventually the singer rescues the failing choir and begins helping with community projects, which gets her an interview on TV—and identification by the mob.