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The One Show - (Mar 29th)
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Mary Clarence? Like Clarence Williams III from The Mod Squad? When a worldly singer witnesses a mob crime, the police hide her as a nun in a traditional convent where she has trouble fitting in. Whoopi Goldberg is the sister act of the title, and boy does she have a great time with the characterisation. It's hardly pulling up any trees, and it holds few surprises, yet it's so warm and gentle with its humour it's near impossible to dislike. The laughs obviously come from Goldberg's street wise gal trying to adapt to life in a convent. The big message that unfolds, as she gets more at ease with her surroundings, is that not only can earthy girls come to be honourable by learning new fortitudes, but also that they can positively affect those around them in a perceived stuffy environment. The trajectory of the nunnery choir under Goldberg's tutorship - from wailing cats to cherubic angels - is the film's highlights, while Maggie Smith as the prim and proper Mother Superior is class unbound. Harvey Keitel as the gangster who is after our sister's blood is wasted, and the ending is never really in doubt, yet this is a good pick me up movie, undemanding fun for those after a quick smiley fix. 7/10
**One of the great comedies of the decade.** We are facing a film that was a huge success when it was released and continues, even today, to have a vast legion of fans. It's one of those light, friendly comedies that doesn't age, is always current, and is a pleasure to revisit from time to time. The expertly written screenplay tells the story of Deloris, a casino singer who must be protected by the police after witnessing her lover, a married gangster, kill a police snitch at close range. The authorities' solution is to hide her in a convent, where she will have to assume a false identity and pretend that she is a nun. Of course, most of the film's jokes come precisely from the difficult adaptation of a showgirl to a strongly strict environment, where obedience and discipline are taken seriously. The film works wonderfully well, and despite the years that have passed, it remains an amazingly up-to-date film that doesn't show its age. It's one of those films that we can watch and rewatch without getting tired, from time to time, and that is still fondly remembered by many people today. It's not a great film from a technical point of view, with average cinematography and editing, good sets and decent costumes, but no big fights and other challenging technical elements. The cast is lavish and full of talent. The protagonist is the great Whoopi Goldberg, who was at the time experiencing one of the highlights of her career (shortly before, she had received the Oscar as Best Supporting Actress for _Ghost_), becomes, with this film, truly an icon. Next to her were the grandiose Maggie Smith and the funny Kanthy Najimi, Wendy Makkena and Mary Wickes, who bring to life the most significant nuns of that convent. The villain, in turn, is very well done by Harvey Keitel.
Whoopi Goldberg and Dame Maggie Smith are on top form in this engaging comedy thriller. Goldberg "Deloris van Cartier" witnesses her gangster boyfriend commit murder. When she is drafted in by the police to testify against him, she is put into a witness protection scheme with a difference. She is to hide out in a convent under the tutelage of Dame Maggie's "Mother Superior". After initial clashes on just about everything, Goldberg - "Sister Mary Clarence" - finally finds a sense of purpose with the choir - and soon that choir is attracting global attention, even the Pope is coming to hear them sing. Of course, the publicity isn't all good - and her boyfriend "Vince" (Harvey Keitel) soon tracks her down. Can she be rescued from his evil clutches? This is an enjoyable film to watch. Once it gets going, there are plenty toe-tapping musical numbers and both women at the top of the bill, as well as the feisty Mary Wickes ("Sister Mary Lazarus"), are clearly having some fun having a funny and well paced script to work too. The conclusion is pretty much as you'd expect, descending just a little too much into slapstick for my liking before a rousing Papal audience! To be honest - there is nothing here not to like. Good fun!
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
A music publishing company tries to swindle a song from a country girl that they inadvertently recorded without her permission.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
As the name suggests Steel Pulse play their own unique brand of reggae music in a no compromises way. The film features the band at the very peak of form playing a wide selection of the material which brought them to fame in Britain and America.
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.