Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
_**When an Egyptian mummy becomes sideshow entertainment… and MORE**_ The tomb of Ra-Antef, son of Ramesses VIII, is discovered in Egypt by several Egyptologists and the project’s backer, an American showman (Fred Clark), wants to exploit the mummy as a traveling sideshow. The situation is complicated by a smooth arts patron (Terence Morgan) whom members of the expedition meet on the vessel returning to London. “The Curse of the Mummy’s Tomb” (1964) is the second of four Mummy films by Hammer; the others being “The Mummy” (1959), “The Mummy’s Shroud” (1967) and “Blood from the Mummy's Tomb” (1971). While they all have similar plots, each can be enjoyed as a standalone movie and I prefer this one to the overrated first flick, which overdid it with the dull Egyptian rituals and citations of sacred scrolls, amongst a couple other flaws. I also prefer it to the minor cult-favorite “Blood from the Mummy’s Tomb.” While towering Christopher Lee made for the most terrifying mummy in the first film, there’s more to a mummy flick than the monster. This one throws in a spirit of high adventure with the ship voyage, as well as a thought-provoking back story that is slowly revealed (I’m talking about the story of Ra and his brother), which explores the problem of immortality while stuck in a fallen world. It may sound good at first, but is it really? In other words, eternal life is only agreeable in a redeemed Universe. On top of this is the subtle romantic triangle between John (Ronald Howard), Annette (Jeanne Roland) and Adam (Terence Morgan). A critic referred to Annette as a “wanton hussy,” but she is actually classy and cultured. Her betrothal to John obviously isn't set in stone in light of her comments to Adam. Plus it’s clear that John isn’t very interested in Annette while the well-to-do and cultured Adam slickly woos her; and it doesn’t hurt that Adam is the more handsome of the two men by far. You don't have to be an Einstein to see why Annette starts to veer toward Adam. Meanwhile she's not portrayed as having casual sex with anyone, so I'm not sure how exactly she could be accused of being a hussy. Roland, incidentally, is part Burmese and went on to play Bond's curvy masseuse in “You Only Live Twice” (1967). Elsewhere Fred Clark’s character, Alexander King, is a well-developed and entertaining individual. On the surface he’s a crass, money-obsessed American promoter but, underneath, he has a spirit of joie de vivre and you can’t help but see that he truly wants to share the marvels of Egyptology with the common person. In other words, his motivations aren’t entirely selfish; he WANTS to share and educate, albeit in an entertaining and convenient manner, not to mention make loads of lucre doing it. His encounter with a prostitute on the streets of London also reveals a warm heart in a (seemingly) throwaway scene. Lastly, when he comes face-to-face with the mummy, there’s initial shock and marvel, but then a smile of carny glee. This all reflects exceptional writing that makes “The Curse of the Mummy’s Tomb” one of the best in the Hammer series and, arguably, the best. The film runs 1 hour, 21 minutes, and was shot at Elstree Studios, Borehamwood, just northwest of London. GRADE: B+
Fred Clark is the larger than life American, cigar-smoking, showman "King" who funds tomb-raider "Beauchamp" (Terence Morgan) and the more cerebral "Bray" (Ronald Howard) who want to bring their recently discovered Pharaonic sarcophagus to London to exhibit. The presence of George Pastell ("Hashmi Bey") in the proceedings lets us know though, that doing so is going to be downright dangerous! An amulet, a mystical curse and soon our bandage-clad menace is reeking his revenge. Can they stop it from killing everyone who desecrated the tomb and save "Annette" (an equally mummified effort from Jeanne Roland) from it's more amorous clutches? It's actually a little more brutal than your average Hammer fayre, this - not that it would be more than a 12 by modern day standards - and that helps keep it moving, but only after an exceptionally slow and plodding build up that drags as surely as the mummy's footsteps. The acting talent works well enough and the dialogue is, at best, incidental to this retelling of a familiar story. I like this genre of film, so quite enjoyed watching it again.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
After the untimely death of their mother, twin brothers struggle over what to do with her belongings and discover a dark entity.
Misty, the Mummy Raider (Misty Mundae) must battle an evil Neo Nazi scientist (Ruby Larocca) and an ancient, powerful mummy (Rich George) trying to raise the Fourth Reich.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Darmi, an unfaithful married woman, uses a magical charm to preserve her youth. Once her husband finds out what she's been up to (which includes screwing the village playboy), he seeks the help of a Shaman.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
A newly-married woman and former prostitute whose husband, a ship's captain, has gone to sea, is pressured into returning to her old profession. When she refuses, she is violently gang-raped and left pregnant and despondent. She kills herself while attempting to abort the fetus but returns as a vengeful Sundel Bolong, a ghost with a putrid, rotting hole in her back. When the rapists and conspirers start turning up dead, her husband and the police try to put a stop to the violence, once and for all.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
