Старик и море

Our Time is the story of two teenagers growing up in New York City. It was shot on location in Central Park.

Plagued with the guilt of feeling responsible for his late wife Amelia’s overdose, Alexander exiles himself into seclusion amongst the confines of a remote lake-house cabin.

In 1943, a group of Italian and Allied soldiers find themselves trapped inside an abandoned villa. When they discover that they are in fact dead and that the villa is the starting point of their journey into afterlife, each character tells his life story, united in the belief that they have died unjustly in a senseless war. The youngest, whose wife is expecting a child, wants to return to the world.

Nadia, the sole survivor of her family's tragic fate, grapples with the looming threat of her father's sacrifice as she faces a life on the edge.

A world without light, a world dominated by darkness and threatening silence. The deep sea. Driven by their instincts, we pursue two contradictory characters and witness a struggle for life and death. We become victims of the illusion of light.

In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.