ASTRAKAN

A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

The film focuses on the thoughts inside the head of a man, an astronaut scheduled to go to the Moon. As he ponders the flight, he laments having an “ordinary” name he fears will not resonate throughout history. His thoughts lead him to consider some of the pioneers of flight-Icarus and his wings, the Montgolfier brothers and their balloon and the Wright brothers and heavier than air flight.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

In a world where drought is everywhere, a little village survives thanks to a machine that turns clouds into drinking water. Unfortunately one of the village inhabitants will make the cloud take flight.

A team sent by the government is here to protect humanity from tornadoes. Bruce, Walter and Barrett are part of the Anti Tornado Squad and are ready to deal with that one-of-a-kind mission.

“Kalikangiaroi” (also called Skalapountari) are Cypriot fantasy creatures. Mischievous, funny-looking, thin, hunchbacked creatures, sometimes wearing a long pointy hat or even having big bat-like wings, Cypriots were terrified of Kalikangiaroi. Kalikangiaroi hide in the depths of the earth all year long and rarely come above the ground. However, come Christmas day they surface and their crazy reign begins for 12 long days and nights. Their favorite pastime is to play pranks, tease and cause trouble to humans and create mayhem with the sole purpose of having fun! They playfully tease people by tugging at their clothes, scare them with their screeching voices or frighten domestic animals. One thing Kalikangiaroi loves more than teasing is a piece of “loukaniko” traditional sausage.