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**A film about a true fact in history, which is entertaining, but not very rigorous.** In 1215, during the First Barons' War, which occurred in the aftermath of a revolt and the signing of the Magna Carta, King John of England had to lay siege to Rochester Castle, a strategic point in his kingdom which, in the meantime, had fallen into power of the barons who revolted against him. What the film tries to do is to show us that siege, and give us a good story around it. And being a relatively well-known historical fact (at least for those who have studied English history), I believe that spoil does not apply if we talk a little about what happened at the time. Of course, a film like this is not a documentary, but the more rigorous it is, the better it is, in my opinion. And this film, despite making an effort, is not rigorous in its portrayal of the historical moment. It is true that the siege of Rochester was a landmark in this war, and the castle was defended by a force significantly inferior to the attacking force. The siege, however, only lasted a few weeks whereas the film suggests months passed. As the film reveals, the castle was targeted by a mine. That was true, but before, the king's troops did the same thing to the outer wall, and none of these operations were done by burning dozens of pigs alive! And although the film shows the castle isolated on a plain, the truth is that Rochester was already a city of considerable size and even had a cathedral, which was then looted and used as a stable by the king's troops. At the end of the siege there were dozens of survivors (including William d’Aubigny) and, despite being punished, the truth is that John did not massacre them. As for the participation of the Templar's, I have doubts. It is true that they were active in the English kingdom, but I have not read anything that proves their participation in the conflict. I can also assure you that they did not dress the way the film shows them. And having said that, I believe I managed to say some of the differences between the historical truth and the portrayal made in the film without spoiling it. The best thing about this film are the action scenes. Despite the lack of verisimilitude, the fights are impressive enough to make the film spectacular and give fans of the genre everything they like: the combats look formidable, and the sword blows split men in half like puddings. The catapult attack also has its charm, even though the shots almost have the effect of explosive artillery bullets, which is ridiculous for a historian. The cinematography is very good, the props, costumes and sets do the job, even if they are not historically accurate, and the soundtrack has an understated epic sense that sounds good and harmonizes with the film. At one point, the film reminded me of “300”, but here they don't fight using just their panties. Another very strong point of this film is Paul Giamatti's extraordinary performance in the role of a perfidious and sadistic King John. He is an actor for whom I have a certain sympathy and for whom I recognize talent, as I have already had the opportunity to say before, and despite having played a character worthy of being execrated, he did so with enormous panache and avoided making the mistake of being histrionic or transforming the character into a bloodthirsty without purpose. James Purefoy and Brian Cox try to keep up, and at least Cox manages to do so. Purefoy was not so successful: his character is never more than a lone vigilante, a “Batman” on horseback who will save the day at the last moment when everything seems lost. Kate Mara, of course, is the bored damsel of the day, and is fatally doomed to become romantically involved with one of the heroes. Derek Jacobi makes an effort, but his role is not very interesting.
A straightforward man, who uses violence to settle disputes, decides to mend his ways for the sake of his lover, but when he learns that her family is in danger, he decides to save them at all cost.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".