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**A film about a true fact in history, which is entertaining, but not very rigorous.** In 1215, during the First Barons' War, which occurred in the aftermath of a revolt and the signing of the Magna Carta, King John of England had to lay siege to Rochester Castle, a strategic point in his kingdom which, in the meantime, had fallen into power of the barons who revolted against him. What the film tries to do is to show us that siege, and give us a good story around it. And being a relatively well-known historical fact (at least for those who have studied English history), I believe that spoil does not apply if we talk a little about what happened at the time. Of course, a film like this is not a documentary, but the more rigorous it is, the better it is, in my opinion. And this film, despite making an effort, is not rigorous in its portrayal of the historical moment. It is true that the siege of Rochester was a landmark in this war, and the castle was defended by a force significantly inferior to the attacking force. The siege, however, only lasted a few weeks whereas the film suggests months passed. As the film reveals, the castle was targeted by a mine. That was true, but before, the king's troops did the same thing to the outer wall, and none of these operations were done by burning dozens of pigs alive! And although the film shows the castle isolated on a plain, the truth is that Rochester was already a city of considerable size and even had a cathedral, which was then looted and used as a stable by the king's troops. At the end of the siege there were dozens of survivors (including William d’Aubigny) and, despite being punished, the truth is that John did not massacre them. As for the participation of the Templar's, I have doubts. It is true that they were active in the English kingdom, but I have not read anything that proves their participation in the conflict. I can also assure you that they did not dress the way the film shows them. And having said that, I believe I managed to say some of the differences between the historical truth and the portrayal made in the film without spoiling it. The best thing about this film are the action scenes. Despite the lack of verisimilitude, the fights are impressive enough to make the film spectacular and give fans of the genre everything they like: the combats look formidable, and the sword blows split men in half like puddings. The catapult attack also has its charm, even though the shots almost have the effect of explosive artillery bullets, which is ridiculous for a historian. The cinematography is very good, the props, costumes and sets do the job, even if they are not historically accurate, and the soundtrack has an understated epic sense that sounds good and harmonizes with the film. At one point, the film reminded me of “300”, but here they don't fight using just their panties. Another very strong point of this film is Paul Giamatti's extraordinary performance in the role of a perfidious and sadistic King John. He is an actor for whom I have a certain sympathy and for whom I recognize talent, as I have already had the opportunity to say before, and despite having played a character worthy of being execrated, he did so with enormous panache and avoided making the mistake of being histrionic or transforming the character into a bloodthirsty without purpose. James Purefoy and Brian Cox try to keep up, and at least Cox manages to do so. Purefoy was not so successful: his character is never more than a lone vigilante, a “Batman” on horseback who will save the day at the last moment when everything seems lost. Kate Mara, of course, is the bored damsel of the day, and is fatally doomed to become romantically involved with one of the heroes. Derek Jacobi makes an effort, but his role is not very interesting.
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
These are the dark times around 1720 in Russia. Tsar Peter the Great dies and his highly esteemed partner and friend Prince Menshikov rules the country from now on. But there are also those who oppose the prince. Messenger Ivan, an army officer, fails one of the risky resistance orders given to him by the scheming opposition and openly confesses to it. He is to be punished mercilessly, but the head of the secret service recognizes the officer's qualities, and from now on Ivan becomes an agent of the Tsar. Thus begins a series of mysterious incidents and he begins to investigate them. Masons, pirates and grand dukes, all have their dark secrets...
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.
En route to the honeymoon of William Riker to Deanna Troi on her home planet of Betazed, Captain Jean-Luc Picard and the crew of the U.S.S. Enterprise receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon, who claims to seek peace with the human-backed United Federation of Planets. Once in enemy territory, the captain and his crew make a startling discovery: Shinzon is human, a slave from the Romulan sister planet of Remus, and has a secret, shocking relationship to Picard himself.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.