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Ghastly, Ghoulish, Grotty & Gory. Frightmare is directed by Pete Walker who also co-writes the screenplay with David McGillivray. It stars Rupert Davies, Shelia Keith, Deborah Fairfax, Paul Greenwood and Kim Butcher. Music is by Stanley Myers and cinematography by Peter Jessop. Edmund and Dorothy Yates are freed after fifteen years in an asylum, committed for despicable crimes, but is Dorothy cured? And what of their daughters? Frightmare is what it is, a British exploitation horror made at a time when it was out to get the best rise out of the audience. As much as Pete Walker’s fans don’t want to believe it, there is no social comment being made, no hidden agenda or attempts to push the boundaries of British horror in visual or thematic achievements. Walker, a very likable and honest man, even says his films are not for deep cranial pondering, he couldn’t believe his luck that he got to throw blood and guts about and got paid for it. Frightmare is a thinly plotted and written picture that serves only to bask in some shock and awe scenes. The ineptitude of the mental health authorities is given a cursory glance, but really the picture plods from one scene to the next waiting for Dorothy to get busy with her tool kit. It’s there, with the wonderfully scary Keith doing her stuff, where Walker excels. Though in today’s desensitised age it’s more fun than frightening, while there’s actually not as much gore on show as you would think. It’s all very basic in truth, but Walker achieved his aims back then, and kudos to him for serving up a truly bleak finale. 5/10
A 20th century European village is haunted by the ghost of a murderous little girl.
Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!
A mute woman, traumatized by her parents' death, faces new horrors when her cousin is murdered by a suspected killer. As danger looms, the truth proves far more complex.
A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
A widow deceives her late husband's mother and brothers into thinking he's still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance, but her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family's Irish estate.
In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home.
Intrepid photographer Emanuelle is taken deep into the Amazonian jungle to search for a cannibalistic tribe long believed to be extinct.
When a group of psychiatric hospital nurses invoke the spirit of Bloody Mary - a supposed urban myth - the slaughter begins. The legend is real, her vengeance is fatal, and to free her, all you have to do is say her name.
As an initiation rite into Alpha Sigma Rho fraternity, four pledges must spend a night in Garth Manor, twelve years to the day after the previous resident murdered his entire family.
Scotty moves into Mrs. Engels' seaside mansion where three other college students are boarding. Mrs. Engels prefers to stay in her room in the attic, but her son Mason helps the students get settled. Soon one of the students is killed. The policemen on the case begin uncovering the Engels family secret as the remaining students become endangered
