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Es ist schwer zu glauben, dass wirklich Tobe Hooper bei der Fortsetzung von Texas Chainsaw Massacre selbst Regie geführt hat. Wo der erste Ton einen sehr beklemmenden Grundton anschlägt, ist der zweite Teil nun mehr Horrorkomödie als bitterböser Horrorfilm. Dies hat sicherlich damit zu tun, dass zwischen den beiden Filmen 12 Jahre Filmgeschichte liegen und Horrorfilme in den 80er Jahren generell anders daher kamen als es noch 1974 der Fall war, doch irgendwie passt dieser humorvolle Ton nicht zu Leatherface und seiner degenerierten Familie. Irgendwie erwartete man ein heruntergekommenes Haus irgendwo in der Wüste und nicht einen eigenartigen Freizeitpark. Für sich genommen ist The Texas Chainsaw Massacre 2 allerdings kein schlechter Film. Den Ton den der Film treffen will, trifft er auf den Punkt, es gibt einige Szenen für Splatterfans, die Figur der Stretch ist eine echte Scream Queen und mit Dennis Hopper ist sogar ein Superstar an Board. Wer also The Texas Chainsaw Massacre 2 nicht als Fortsetzung, sondern als eigenständigen Film sehen kann wird sicher gut unterhalten. [Sneakfilm.de]
A twisted new tale of terror begins for a teenage girl and her family, and revealing more mysteries of the otherworldly realm, 'The Further'.
Jenna is a young woman that has lost every man she loved since she was very young. Now she has encountered Alex and they decide to move in together and get married. She has told him that she lost her parents but in the church, she glances at her parents and she decides to call off the wedding. She asks to her friends to leave the church and she discloses the story of her family to Alex. Meanwhile all their friends are murdered by killers and Jenna tells that they are members of her family. Why are they killing her friends?
A tribunal interrogates, tortures and murders "witches" and "heretics" during the Inquisition.
A serial killer, plagued by the memory of a fatal car accident, uses various tools to murder female tenants of a Los Angeles apartment complex, then abducts a teenaged girl who lives there with her family. When the police express doubt that the murders are connected to the girl's disappearance, her brother sets out to search for her on his own.
A long long time ago a wizard was put to death, but he swore vengeance on the townsfolk that did him in, particularly Arthur Kelly's family. Arthur had done the final graces on him when he came back to life as Mr. Jack the Pumpkin Man. The Kellys proliferated through the years, and when some devil-may-care teens accidentally unleash Jack-O, young Sean Kelly must stop him somehow as his suburban world is accosted and the attrition rate climbs
Wilbur works in an old carnival and shows some gruesome things to the public. He covers his face because he had a sadistic father who burned his face as a child. Everybody makes jokes about his scars and when the new boss fires him, he goes to an old swamp-witch who gives him a peace of wood from a hanging tree. Wilbur makes a mask from this piece of wood and puts all his anger in this mask. When he puts the mask on, everybody who looks at him commits suicide.
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
A student moves into a run-down building in New York City. His bizarre neighbors make a concoction in their apartment they call wine, but when he takes some of it, he turns into a deformed, murderous monster.
A group of friends are terrorized by a cannibalistic family while camping in The Black Forest of Germany.
In the prehistory of man, 12,000 years ago, two members of a superhuman tribe abuse the treasured secret of eternal youth. They use the methods of ritual cannibalism on the children of their own tribe and when discovered by the 'Queen' of the tribe, they are cursed to an eternity of old age with no chance to ever die. Now, in present day Los Angeles, their only hope to recapture eternal youth is the ritualistic sacrifice of a 16-year-old female virgin. Their existence is discovered by an investigative reporter and a young runaway child and this leads to an unexplained and terrifying confrontation
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.