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Total failure of doing a movie with the aesthetics and success of "300". Mediocre story, bad planned action scenes, tons of Fx, poorly developed characters and tons of stereotypes.
Everyone talks about how _Immortals_ is a _300_ ripoff, and don't get me wrong, it absolutely is, but I haven't yet seen anyone talk about how it's also a bit of a _God of War_ ripoff. I'm actually quite fond of historically-set mythology films, but I don't believe the problem with _Immortals_ isn't the setting or the genre, it's the motivation behind its being made the way it was. The _300_ movie exists to be an adaptation of the _300_ comic book, the _Immortals_ movie exists because the _300_ movie made money. (Don't get me wrong, I know that the real motivation behind both these, and of any other studio film, is money. But someone involved somewhere has to want more from their movie than that. And _Immortals_ doesn't give me the vibe that anyone did). I can handle _Immortals_ doing what _300_ does. Hell, if enough people rip an idea off over a long enough period of time, in movies, we call that a genre. My issue is that it **only** exists to do what _300_ did, yet it does **all** of it so much worse. There are maybe two fights in _Immortals_ that last for longer than 30 seconds, even with all that slow-mo stretching the runtime, and neither are filmed as well as the ones in _300_. It's nowhere near as fun, it's not superior in any technical category, it's harder to tell what the fuck is going on. Even the acting, which is NOT _300's_ strong suit, is worse here than it is there. There were maybe flashes where you could glimpse a cohesive idea that desired to form, but it never even got close. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Immortals is like stepping into a Greek mythology fever dream where everyone looks like they just walked out of a tanning booth, but hey, it works for the aesthetic. The movie is a visual powerhouse, with Tarsem Singh crafting a bold, surreal take on mythology that feels more like a painting in motion than your average action flick. The fight scenes are undeniably the highlight, stylized, brutal, and dripping with energy. Henry Cavill shines as Theseus, delivering a performance that feels grounded amidst the chaos, while Mickey Rourke's Hyperion brings an intimidating presence, even if his character lacks complexity. Where Immortals stumbles is in its story, which feels more like a vehicle for the visuals than an engaging narrative. The characters are serviceable, but most lack depth, leaving you wanting more from the emotional stakes. That said, if you’re here for striking visuals, intense action, and a unique twist on Greek mythology, it’s still a fun ride. Think of it as a movie you watch for the spectacle--not for the substance. Worth watching if you’re in the mood for a stylized, no-strings-attached mythological adventure.
The megalomanic Hyperion (Mickey Rourke) is bent on releasing the imprisoned Titans from their gilded cage deep inside the mountain. Using a magical bow and arrow he's stolen from Ares (Daniel Sharman) he is about to cause havoc when Zeus (Luke Evans) engages the services of Theseus (Henry Cavill) to help thwart his plans and thus save the Greeks from tyranny. With some sagely advice from John Hurt, he now embarks on a lively series of escapades that allows the full panoply of mythological beasts, a shirtless hero and lots of entertaining visual effects to fill a couple of hours. No, the acting isn't really great nor is the script, but it's a vehicle for some beautiful people to present some intricately choreographed action scenes whilst the CGI boys do their best to create an atmosphere that's ideal for this story of the mortal trying to save the day. Rourke delivers well, if really quite sparingly, as the menacing baddie and there's always Stephen Dorff to add to the bevvy of hunks on display here. If you like the genre, and I do, then this isn't really very substantial and the story all rather weak, but this isn't really about a story it's about a computer-enhanced aesthetic showcasing some handsome people plundering ancient legend for our entertainment. It's not "Clash of the Titans" (1981) but it's not terrible, either - and that metal roasting cow - yikes!
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
High school student Ichigo Kurosaki lives an ordinary life, besides being able to see ghosts and the blurry memories of his mother's death under strange circumstances when he was a kid. His peaceful world suddenly breaks as he meets Rukia Kuchiki, a God of Death.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Captain Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.