War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Total failure of doing a movie with the aesthetics and success of "300". Mediocre story, bad planned action scenes, tons of Fx, poorly developed characters and tons of stereotypes.
Everyone talks about how _Immortals_ is a _300_ ripoff, and don't get me wrong, it absolutely is, but I haven't yet seen anyone talk about how it's also a bit of a _God of War_ ripoff. I'm actually quite fond of historically-set mythology films, but I don't believe the problem with _Immortals_ isn't the setting or the genre, it's the motivation behind its being made the way it was. The _300_ movie exists to be an adaptation of the _300_ comic book, the _Immortals_ movie exists because the _300_ movie made money. (Don't get me wrong, I know that the real motivation behind both these, and of any other studio film, is money. But someone involved somewhere has to want more from their movie than that. And _Immortals_ doesn't give me the vibe that anyone did). I can handle _Immortals_ doing what _300_ does. Hell, if enough people rip an idea off over a long enough period of time, in movies, we call that a genre. My issue is that it **only** exists to do what _300_ did, yet it does **all** of it so much worse. There are maybe two fights in _Immortals_ that last for longer than 30 seconds, even with all that slow-mo stretching the runtime, and neither are filmed as well as the ones in _300_. It's nowhere near as fun, it's not superior in any technical category, it's harder to tell what the fuck is going on. Even the acting, which is NOT _300's_ strong suit, is worse here than it is there. There were maybe flashes where you could glimpse a cohesive idea that desired to form, but it never even got close. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Immortals is like stepping into a Greek mythology fever dream where everyone looks like they just walked out of a tanning booth, but hey, it works for the aesthetic. The movie is a visual powerhouse, with Tarsem Singh crafting a bold, surreal take on mythology that feels more like a painting in motion than your average action flick. The fight scenes are undeniably the highlight, stylized, brutal, and dripping with energy. Henry Cavill shines as Theseus, delivering a performance that feels grounded amidst the chaos, while Mickey Rourke's Hyperion brings an intimidating presence, even if his character lacks complexity. Where Immortals stumbles is in its story, which feels more like a vehicle for the visuals than an engaging narrative. The characters are serviceable, but most lack depth, leaving you wanting more from the emotional stakes. That said, if you’re here for striking visuals, intense action, and a unique twist on Greek mythology, it’s still a fun ride. Think of it as a movie you watch for the spectacle--not for the substance. Worth watching if you’re in the mood for a stylized, no-strings-attached mythological adventure.
The megalomanic Hyperion (Mickey Rourke) is bent on releasing the imprisoned Titans from their gilded cage deep inside the mountain. Using a magical bow and arrow he's stolen from Ares (Daniel Sharman) he is about to cause havoc when Zeus (Luke Evans) engages the services of Theseus (Henry Cavill) to help thwart his plans and thus save the Greeks from tyranny. With some sagely advice from John Hurt, he now embarks on a lively series of escapades that allows the full panoply of mythological beasts, a shirtless hero and lots of entertaining visual effects to fill a couple of hours. No, the acting isn't really great nor is the script, but it's a vehicle for some beautiful people to present some intricately choreographed action scenes whilst the CGI boys do their best to create an atmosphere that's ideal for this story of the mortal trying to save the day. Rourke delivers well, if really quite sparingly, as the menacing baddie and there's always Stephen Dorff to add to the bevvy of hunks on display here. If you like the genre, and I do, then this isn't really very substantial and the story all rather weak, but this isn't really about a story it's about a computer-enhanced aesthetic showcasing some handsome people plundering ancient legend for our entertainment. It's not "Clash of the Titans" (1981) but it's not terrible, either - and that metal roasting cow - yikes!
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.
Hoping to land a role, two Japanese actresses begin a fight within their apartment that keeps escalating.
Based on the old Norse poem, 'Þrymskviða', Freyja is called to Asgard to help Thor and Loki find Mjǫllnir, hoping it will satiate Asgard's hunger for war.
Big hair, big guns, big personalities, and a serious lack of wardrobe. She-Wolves of the Wasteland, a post-apocalyptic story that features women-lots and lots of women-who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world.
Hercules, a semi-divine being, squares off against King Minos, who is attempting to use science to gain power and take over the world. With the help of a benevolent sorceress, Circe, Hercules tries to save his beloved Cassiopeia from being sacrificed by Minos, and struggles against laser-breathing creatures and an evil sorceress.
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
A historical drama set in Roman Egypt, concerning philosopher Hypatia of Alexandria and her relationship with her slave Davus, who is torn between his love for her and the possibility of gaining his freedom by joining the rising tide of Christianity.
Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.
On a remote Caribbean island, Army Ranger Joe Armstrong saves an old friend from the clutches of "The Lion", an evil super-criminal who has kidnapped a local scientist and mass-produced an army of mutant Ninja warriors.
British army sergeants Ballantine, Cutter and MacChesney serve in India during the 1880s, along with their native water-bearer, Gunga Din. While completing a dangerous telegraph-repair mission, they unearth evidence of the suppressed Thuggee cult. When Gunga Din tells the sergeants about a secret temple made of gold, the fortune-hunting Cutter is captured by the Thuggees, and it's up to his friends to rescue him.