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The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Total failure of doing a movie with the aesthetics and success of "300". Mediocre story, bad planned action scenes, tons of Fx, poorly developed characters and tons of stereotypes.
Everyone talks about how _Immortals_ is a _300_ ripoff, and don't get me wrong, it absolutely is, but I haven't yet seen anyone talk about how it's also a bit of a _God of War_ ripoff. I'm actually quite fond of historically-set mythology films, but I don't believe the problem with _Immortals_ isn't the setting or the genre, it's the motivation behind its being made the way it was. The _300_ movie exists to be an adaptation of the _300_ comic book, the _Immortals_ movie exists because the _300_ movie made money. (Don't get me wrong, I know that the real motivation behind both these, and of any other studio film, is money. But someone involved somewhere has to want more from their movie than that. And _Immortals_ doesn't give me the vibe that anyone did). I can handle _Immortals_ doing what _300_ does. Hell, if enough people rip an idea off over a long enough period of time, in movies, we call that a genre. My issue is that it **only** exists to do what _300_ did, yet it does **all** of it so much worse. There are maybe two fights in _Immortals_ that last for longer than 30 seconds, even with all that slow-mo stretching the runtime, and neither are filmed as well as the ones in _300_. It's nowhere near as fun, it's not superior in any technical category, it's harder to tell what the fuck is going on. Even the acting, which is NOT _300's_ strong suit, is worse here than it is there. There were maybe flashes where you could glimpse a cohesive idea that desired to form, but it never even got close. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Immortals is like stepping into a Greek mythology fever dream where everyone looks like they just walked out of a tanning booth, but hey, it works for the aesthetic. The movie is a visual powerhouse, with Tarsem Singh crafting a bold, surreal take on mythology that feels more like a painting in motion than your average action flick. The fight scenes are undeniably the highlight, stylized, brutal, and dripping with energy. Henry Cavill shines as Theseus, delivering a performance that feels grounded amidst the chaos, while Mickey Rourke's Hyperion brings an intimidating presence, even if his character lacks complexity. Where Immortals stumbles is in its story, which feels more like a vehicle for the visuals than an engaging narrative. The characters are serviceable, but most lack depth, leaving you wanting more from the emotional stakes. That said, if you’re here for striking visuals, intense action, and a unique twist on Greek mythology, it’s still a fun ride. Think of it as a movie you watch for the spectacle--not for the substance. Worth watching if you’re in the mood for a stylized, no-strings-attached mythological adventure.
A vampire hunter in southern California discovers that his son has been murdered by a gang of the undead and thus goes on a quest for revenge.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
A pirate ship, fighting in 1588 on the side of the Spanish Armada, suffers damage and must put into a village on the British coast for repairs. The village is small and isolated and the Spanish convince the villagers that the English fleet has been defeated and that they, the Spanish, are now their masters. This results in the villagers' sullen cooperation, but rumors and unrest begin to spread and soon the Spanish pirates find themselves facing a revolt.
After dedicating his entire life to service in the armed forces Andy now struggles to slot back into a world he no longer recognises. Now forced to confront the death of his daughter following a fatal encounter with drugs he becomes hell-bent on finding those responsible. With nothing to lose, a violent criminal underworld unravels in his wake. Set against a backdrop of realistic, fast-paced action, guided by high-quality military drills; and created by UK Armed Forces veterans. Sunray challenges the perceptions of mental health and the struggles that soldiers face when re-integrating back into civilian life.
In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.
Upon his return from battle in the previous film, the great warrior Hercules learns that his lover, Daianara, has lost her senses. Acording of the oracle Medea, Dianara's only hope is the Stone of Forgetfulness which lies deep in the realm of Hades. Hercules, with two companions, Theseus and Telemachus, embarks on a dangerous quest for the stone, while he is unaware that Dianara's guardian, King Lico, is the one responsible for her condition and plots to have the girl for himself as his bride upon her revival.
Female gladiators fight to the death. Inspired by the story of Spartacus, follow the adventures of a bevy of slave girls who, upon finding themselves thrust into the gladiator ring, mount a vicious rebellion to fight their way to freedom.
Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.
A rogue swordsman known as "Soul of the Sword" kills the father of a young Kung Fu expert, who teams up with a Drunken Monk to put an end to Soul of the Sword’s reign of terror, and thwart the Mongol invasion.
A giant stone statue comes to life to protect the residents of a small town against the depradations of an evil warlord.