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Agora represents a rather chaotic and completely inaccurate historical biopic. Despite the commendable acting by Rachel Weisz and Oscar Isaac, the movie, which was created with a significant budget, strangely exudes an air of thriftiness typically associated with lower-budget productions. The storyline itself verges on the absurd, taking considerable liberties with historical facts by reshaping them and even conjuring entirely new occurrences. This departure from reality transforms the work from a scholarly biopic into a realm of pure fantasy. The library of Alexandria no longer existed during the time of Hypatia. Furthermore, the circumstances surrounding the destruction or closure of the Library of Alexandria remain shrouded in mystery. The precise cause, whether through fire or deliberate demolition, eludes us. Yet the film decides to come up with its own narrative as to how the library was destroyed. Additionally, the depiction of Christian riots in the film does not align with historical accuracy, a complete falsehood just to add drama and tension to an otherwise boring feature film. For a historical biopic, accuracy is important and this film fales miserably. Definitely do not watch this as an accurate representation of historical events.
Agora is a well-crafted film that manages to be both entertaining and educational. While the movie takes some creative liberties with the historical events, which is understandable given the gaps in recorded history, it does a great job of capturing the essence of the time. The writing feels solid, and despite some moments that might stretch historical accuracy, the story remains compelling and thought-provoking. The acting is another highlight. Rachel Weisz shines as Hypatia, bringing intelligence and grace to the role. Her portrayal makes Hypatia’s struggle with philosophy, reason, and the changing world around her deeply engaging. Most of the main cast delivered strong performances that added depth to the characters and their relationships. The directing is to the point, keeping the narrative focused on the tension between reason and dogma. The production design deserves credit too. It successfully recreates the feel of ancient Alexandria, immersing you in the historical setting. From the bustling streets to the grandeur of the Serapeum, it pulls you into the world of the film. Overall, Agora is a beautifully executed movie that is as educational as it is entertaining. It offers a glimpse into an important and tumultuous period of history while exploring timeless themes about knowledge, power, and humanity. Despite its fictionalized elements, it is a powerful film that is worth watching.
Gay Londoners Marc and Fred plan for a weekend of mischief, baiting the Christian owner of a remote Christian B&B. Events take a deadly turn when another guest arrives, who they think might have something more sinister in mind.
The grail is not the gold, nor the books of ancient wisdom, but the 3,000 year old DNA of the mummies, which may lead to a cure for malaria.
While searching for his fiancee Ritsuko, Sakutarou rediscovers through flashbacks the void deep within him caused by the events from his high school days.
An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.
Michael Adler has run away from his suburban home with his little brother Dylan. Hiding out in a quiet, rural town, Michael's convinced he can make a better life for both of them. While Dylan stays holed up in a cheap motel all day, Michael works at a convenience store where everything starts to come together for him. But as Michael falls in love with his beautiful co-worker, Carly, his past begin
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
Two close friends' plan to execute a flawless crime is crushed when one of them inadvertently leaves his glasses at the crime scene.
Children's book authors Jean and Laurent de Brunhoff's most beloved elephant comes to the big screen in this animated family tale. Elephant monarch King Babar tells the tale, that unfolds via flashback, of how a much-younger Barbar and his girlfriend Celeste save her village from the pugnacious rhinoceroses that have come to raid it.
Peppino is an aging taxidermist constantly ridiculed for being short and somewhat creepy. He meets Valerio, a handsome young man fascinated by Peppino's work. Peppino, in turn, becomes entranced by Valerio and offers him a large salary to come work as his assistant. But when Valerio meets Deborah, their fledgling romance is threatened by an insanely jealous third wheel.
Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.