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**Blue is the warmest colour.** This is an exceptional film, but only from one perspective and that is, LGBT. I totally respect that, because I'm a big supporter. But apart from that, particularly from the filmmaking aspect I did not like it. I felt like this film took place somewhere in Africa, but the accent was American. Because I could not find a single white or any other race people, even in the background. The happy parts are, it is surprisingly a very interesting theme. I loved the storyline. The three phases of a man's life. How things around us can influence to build a personality. Sometimes in a good sense, but according to this film, there are some dramatic turns. Though the end was very simple, but I liked the first episode. It had potential to be a message film, but the later parts turned differently. Most importantly realistic narrative. More like it is about the life cycle. Feels like a short and suburban version of 'Spring, Summer, Fall, Winter and Spring'. All the actors were so good. The screenplay was adapted from a book. Looks like it's a breakthrough for the director. I hope he keeps up the momentum and gives us the best products in the future. This film is not for everyone, mainly because of the theme. Initial parts were okay, but the latter developments were unexpected. It is one of the good films of the year, not the best. _7/10_
It's the third segment of this that's the most interesting but the preceding two are essential in helping us to understand the situation in which the young "Chiron" (Alex R. Hibbert, then an effective Ashton Sanders as a troubled teenager before finally, by this latter point, Trevante Rhodes) finds himself. Initially we see a young boy living in Miami with his crack-addicted mother "Paula" (Naomie Harris). He grows up being shunned and bullied at school with his search for some sort of stability and guidance through life coming largely from his pal "Kevin", neighbourhood dealer "Juan" (Mahershala Ali) and his generously spirited girlfriend "Teresa" (Janelle Monáe). It's these people that put him on a path - a twisting and uncomfortable path - to his own self-discovery and a start in believing in himself and in his own identity. It's a coming of age drama, sure, but it carefully and delicately looks at the life of a young boy who evolves amidst an environment of indifference, confusion and intolerance. Of a lad who is coming to terms with his own sexual identity with little if any peer support to assist with this complex process of maturity. His grasp on decency and integrity is sorely challenged all through his life, but he never loses a sense of what is right and the last half hour is as poignant a tale of manhood as you're likely to see on screen. The acting across the board is pretty top drawer, as is the powerfully delivered but sparingly written dialogue. This is not a festival of endless chatter, but a presentation of scenarios that we can assess as "Chiron" grows up and we share in his life choices. It's emotional and engaging, not without a little humour to lighten it at times and we maybe even get the start of a love story? Well worth a watch a few times, i'd say.
Two boxers meet for a fight in a closed gym. With one boxer well prepared for the fight ahead the other tries making his own luck to better his opponent.
A love story based around two characters - Angela and Tennille. Growing up through out the years Angela, a heterosexual female, never realizes that Tennille, a dominant female, is deeply in love with her. After several years of Angela being in the dark about Tennille's true feelings, she soon discovers the love that Tennille has for her and realizes those feelings are mutual.
Harvey, the arrogant and spoiled son of an indulgent absentee-father, falls overboard from a transatlantic steamship and is rescued by a fishing vessel on the Grand Banks. Harvey fails to persuade them to take him ashore, nor convince the crew of his wealth. The captain offers him a low-paid job, until they return to port, as part of the crew that turns him into a mature, considerate young man.
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn't be less alike, but a flame is ignited... touching off a firestorm of love and conflict.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
In London for his daughter's wedding, a struggling jingle-writer, Harvey Shine, misses his plane to New York, and thus loses his job. While drowning his sorrows in the airport pub, Harvey meets Kate, a British government worker stuck in an endless cycle of work, phone calls from her mother, and blind dates. A connection forms between the unhappy pair, who soon find themselves falling in love.
Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be ‘no marriages’ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.
