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In Abbas Kiarostami's 1997 film Ta'm-e gilas (Taste of Cherry) one Mr. Badi, a man about whom viewers learn virtually nothing, drives around Tehran looking for someone to do him a favour: that night, he will kill himself in a quarry outside the city, and he wants someone to cast dirt over his body the next morning. The first half of the film is essentially about Mr. Badi's difficulties finding someone to carry out this small task, in spite of the substantial amount of money he's offering. He is initially mistaken as a homosexual cruising for sex, a misunderstanding that Kiarostami even ribaldly encourages through suggestive dialogue. A seminary student refuses to help him because suicide is a sin. I must say that I was very disappointed by these 40 minutes plus. Shooting so much of the film inside the car as Mr. Badi drives around is a waste of the possibilities of cinema. Furthermore, there is no real rapport between Mr. Badi and the various actors, as it was originally Kiarostami sitting in the passenger seat, and the dialogue of the men Mr. Badi picks up was only dubbed in later. The film does largely rely on amateur actors, as is common in Iranian productions from this era. Mr. Badi is played by the architect Homayoun Ershadi, and though Ershadi eventually established a film career, this was his first role. The film does become stronger in the second half, when Kiarostami starts to move from the dusty and barren quarry to more lively scenery of inhabited Tehran, a clear metaphor for the joy and colour of life that Mr. Badi would be giving up if he went through with his plans. The film starts to be thought-provoking instead of merely awkward, and as a glance at discussion forums will show, the film does offer enough to keep cinephiles talking about it. Unfortunately, the ending that Kiarostami chose for the film (which I won't spoil here) feels to me like a cop-out, not to mention something that is already an old auteur trope by now. If you like the Iranian Second Wave, then you'll probably find it worthwhile to see Ta'm-e gilas at least once. However, in spite of its winning of the Palme d'Or, I do not feel this is an especially great film.
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.
Living in rural Texas is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, two small sons who look a lot like their brother. The dad harbors a secret, and he goes to murderous lengths to keep it hidden. The young man, Jimmy, who has suspicions, but little comes out until a Yankee woman comes to town.
Nicola, paralyzed after a car crash, falls in love for his physiotherapist Lucia. Franco and Manuela, a young couple unfit to have children, fly to Barcelona for a specialized treatment for fertility. Filippo and Fosco, two gay men, decide to marry. Ernesto, waiter in a chic restaurant, has a liaison with Cecilia, the new Spanish help.
The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.
Set in Tel Aviv, focuses on an interconnected group of friends and their various relationships. At the center is the adorably bookish Omer, about to turn 30, who still hasn't found himself, and his free-spirited best friend Miki, who both end up inadvertently dating the same handsome journalist, Ronen.
This story concerns a hapless civil servant who gets more than he bargains for when he moves into an apartment in Limerick with a gay fashion student and becomes a star on the catwalk. A contemporary story embracing the essence of what it is to be young in today's Ireland.
The story of an Icelandic man and his slow descent into madness. Along his journey he meets Dagný, the initial cause of his breakdown. Other people he meets in the asylum have been committed for various reasons, such as signing cheques for Adolf Hitler and, believing themselves to be writing songs for the Beatles and telepathically transmitting to the band.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
A grieving husband struggles to come to terms with his wife's passing. Following a night-time visit to her grave, he picks up a transgender sex worker.
Lucas is a young man who lives with his religious aunt Lourdes in a quiet country town. He helps his aunt by holding religious meetings with the ladies of the area, in the living room, playing biblical songs on the keyboard. This quiet life will end as soon as the charitable aunt communicates the arrival of another nephew, Mario, just out of jail. The clash of reality between the cousins ends up causing unusual situations, and an unexpected attraction among the boys.