Alice at the Rodeo

Popeye and Olive are at the rodeo, starring Badlands Bluto. Olive is impressed by Bluto's stunts, many of them designed to make Popeye look bad. Dynamite, the bronco that's never been ridden busts out and Popeye, seeing his chance, downs some spinach and manages an impressive series of tricks, culminating in firing a bullet at Bluto and lassoing it just in time. Bluto's had enough, and he substitutes loco weed for Popeye's spinach, then challenges him to throw the bull. Popeye's fried brain sees the bull as a beautiful woman; he tries to dance with it. The bull throws Popeye against the box where Bluto is now sitting and throws the remaining loco weed into Bluto's open mouth; he sees Olive as a bull and grabs her. He tries to brand her; her cries of help arouse Popeye, who pulls out a fresh can of spinach and goes to work.

This was a Krazy Kat cartoon made for Charles Mintz and distributed by Columbia. While the studio originally based the character on the comic strip created by George Herriman, by 1931 he was changed in design and personality to be more like Walt Disney's popular Mickey Mouse (whose cartoons, ironically, were also distributed by Columbia at the time).

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Cowboys Beauregard Decker and Virgil Blessing attend a rodeo in Phoenix, where Decker falls in love with beautiful cafe singer Cherie. He wants to take Cherie back to his native Montana and marry her, but she dreams of traveling to Hollywood and becoming famous. When she resists his advances, Decker forces Cherie onto the bus back to Montana with him, but, when the bus makes an unscheduled stop due to bad weather, the tables are turned.

New Yorkers Paul and Meryl Morgan seem to have it all - except that their marriage is crumbling around them. But their romantic woes are small compared to the trouble they find themselves in after witnessing a murder. To protect them from an assassin, federal agents whisk away Paul and Meryl to a small town in Wyoming, where their marriage will crash and burn, or their passion will reignite.

An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.

A veteran rodeo rider takes on a young apprentice in order to "teach him the ropes", and winds up competing against him.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.