War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Four lost souls in the Nevada desert wilderness A recently divorced blonde bombshell in Reno (Marilyn Monroe) befriends three guys and stirs their passions: An aging cowboy (Clark Gable), a cynical bush pilot (Eli Wallach) and a brooding rodeo contender (Montgomery Clift). They take an excursion to capture wild mustangs for profit. Thelma Ritter is on hand as a fifth misfit in the first half. “The Misfits” (1961) was Gable and Monroe’s final film and Clift’s last significant one. Gable passed away a few days after shooting from a heart attack while Marilyn died 18 months after its release. Clift was dead by 1966. Even Ritter died before the 60s were over. It’s a B&W drama with Western elements and haunting reflections on the nature of life and death, reminiscent of those Tennessee Williams’ flicks of the era, like “The Night of the Iguana” and “The Fugitive Kind.” The characters are lost souls who drown out their pain with lots of drinking and shallow socializing. Monroe is voluptuous and charismatic; and there are thematic gems here and there, like Gay’s potent commentary on doing something with pure intentions while society pulls a bait-and-switch and it becomes morally dubious or outright bad. The film’s also a fascinating period piece. FYI: Director John Huston originally wanted Robert Mitchum for Gable’s role, but by the time they worked the kinks out of the script Mitchum was busy with another project. The writer, Arthur Miller, was Marilyn’s husband during shooting, but they were officially divorced 11 days before its release. GRADE: B+/A-
This is a belter of a film that reminded me of just how imposing Clark Gable could be on screen with a strong part and a decent script. He is "Gay", a tough but pretty past-it cowboy who is hanging out with his buddy "Guido" (Eli Wallach) leading a pretty aimless existence with a lifestyle that is gradually withering on the vine. That all changes when they encounter the flighty "Roslyn" (Marilyn Monroe) who has arrived in Reno to get a divorce. Briefly, a bit of a love triangle develops and despite them moving to a house that "Guido" was building for his late wife, she sets her hat at "Gay" instead, and a relationships starts to burgeon. Both men still have the wrangling spirit, and when a small herd of mustangs is spotted, they want to catch some (to sell on for dog food!), but for that they need another. Fortunately, en route to a rodeo they encounter the broke and stranded "Perce" (Montgomery Clift) and are soon chasing down the horses in the Nevada desert - much to the horror of "Roslyn". There are quite a few tussles in this well paced and creatively shot drama with all four characters having issues with the others that test their loyalties, integrity and spirit - as well as offering us just a soupçon of romance as the story concludes and choices have to be made. As ever, Thelma Ritter contributes well - though only at the start - as their broken-armed pal "Isabelle" but it's really just the quartet that gel effectively for this robust and characterful story and who keep this entertaining for just over the two hours. I never really got why Monroe became such a star. Very attractive, yes, but not really much of an actress. Here, though, she ups her game a bit and is much better - more natural - than usual. There's quite a duel between man and horse at the end that's almost worth watching the whole film for too. Good stuff!
Uttar Pradesh-based Vishal gets a telegram from Santa Cruz Police Station that his younger collegian brother, Arjun, is dead. Distraught he travels to Bombay, collects his brothers ashes, and finds out that Arjun met a violent death. With the aid of a street-smart con-woman and her mentor, Babu Kasai Hyderabadi, he then sets out to find who killed his brother - not knowing that soon he will be drawn into the dark world of Godha and Vishwaraj.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Nobody likes self-centered realtor Oren Little, and he prefers it that way. He's deliberately mean to anyone who crosses his path and wants nothing more than to sell one final house and retire. His life turns upside-down when his estranged son drops off a granddaughter he never knew existed. Suddenly left in charge of her and with no idea how to take care of a child, he pawns the girl off on his neighbor, Leah - but he eventually learns how to open his heart.
Three Union POWs fleeing across the desert to escape both their Confederate pursuers and rampaging Apaches come across a dying woman and her infant child. They promise the woman that they will take care of the child and get it to safety, even though none of them knows anything whatsoever about children or babies.