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Beaten by a bloody fog! The V.I.P.s is directed by Anthony Asquith and written by Terence Rattigan. It stars Richard Burton, Elizabeth Taylor, Louis Jordan, Rod Taylor, Maggie Smith, Orson Welles, Elsda Martinelli and Margaret Rutherford. Filmed in Panavision and Metrocolor, music is by Miklos Rozsa and cinematography by Jack Hildyard. Terminal 2, London Heathrow Airport, and fog has grounded the flights of some very important people. Time, then, for truths to out and futures resolved... Cheque book generosity. Disliked by critics upon release but a hit at the box office, The V.I.P.s is a throwback to the days when ensemble star power could carry a melodrama through to its conclusion. The performances of the actors, playing well to do characters facing up to some tribulations in life, are most enjoyable (nice to see Rod Taylor actually being Australian, Smith owning the film and Rutherford being Rutherford) and even though there's some silly moments within Rattigan's screenplay, there's enough quality drama and warmth to make the near two hour running time bearable. Besisdes, I never thought the sight of Richard Burton signing a cheque could make me feel so happy! 7/10
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost - love, excitement, passion - this classic American independent film explores themes of aging and alienation.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
Two air traffic controllers who thrive on living dangerously compete to outdo each other on several levels.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
In this story-within-a-story, Anna is an actress starring opposite Mike in a period piece about the forbidden love between their respective characters, Sarah and Charles. Both actors are involved in serious relationships, but the passionate nature of the script leads to an off-camera love affair as well. While attempting to maintain their composure and professionalism, Anna and Mike struggle to come to terms with their infidelity.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.