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The Lyncastle Lasso. The Long Wait is directed by Victor Saville and adapted to screenplay by Alan Green and Lesser Samuels from the Mickey Spillane novel. It stars Anthony Quinn, Charles Coburn, Gene Evans, Peggie Castle, Mary Ellen Kay and Shirley Patterson. Music is by Mario Castelnuovo- Tedesco and cinematography by Franz Planer. Johnny McBride (Quinn) is a amnesiac who manages to get back to his home town of Lyncastle where he hopes to unravel who he is. But pretty soon he finds himself in a quagmire of trouble and strife... Every once in a while I come across an instance like this, where a film noir picture's reviews back upon its release were savage, and yet today the more modern noir lover is mostly positive about the pic. In fact IMDb's rating sits currently at 7.2, which as the site's users will attest to, is pretty good going. So where we at with this Spillane revamp? The complaints back in the day about it being dull and boring smack to me of writers back then not exactly understanding the noir ethos, though it's noted that there is the odd modern reviewer sharing the same complaint. It's a film very much erring on the side of bleak and moody, dabbling in the complexities of the human condition, and it's done very well, though the screenplay is hardly minus plot holes and is full of incredulous set-ups. We also have to buy into Quinn being catnip to the dames, four of them no less! But Quinn does angry and broody very well, and he gets to do lots of both here. The aura of a town paddling in its own muck is evident, the amnesia angle merely an excuse to keep things on the side of murky, for it's imperative that we feel Johnny McBride's confusion and mistrust, and we do. All of which is framed superbly by Planer's (Criss Cross) photography, which never misses a chance for shadows and low lights. With salty villains and sultry dames, violence and choice dialogue, and a few superb scenes (one sequence in an empty warehouse is stunning), this is very much a noir for noir lovers to sample. But with that in mind, these warnings should be noted, that as is often the way in noirville, the ending is divisive and the overt misogyny could well offend. 6.5/10
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
An upper-crust family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in suspicious circumstances. It seems that any or all of them could have had a hand in her death. But who is the mysterious Inspector and what can he want of them?
Ralph Cotter, a ruthless criminal, escapes violently from a farm prison. Then, he seduces a dead inmate’s sister, gets back quickly into the crime business, faces corrupt local cops who run the city’s underworld and meets a powerful tycoon’s whimsical daughter.
When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.
Claude is a ruthless and efficient contract killer. His next target, a woman, is the most difficult.
Frank Bigelow is about to die, and he knows it. The accountant has been poisoned and has only 24 hours before the lethal concoction kills him. Determined to find out who his murderer is, Frank, with the help of his assistant and girlfriend, Paula, begins to trace back over his last steps. As he frantically tries to unravel the mystery behind his own impending demise, his sleuthing leads him to a group of crooked businessmen and another murder.
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.
When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.