Stepenice hrabrosti

Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte's attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.

Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office administrator, her husband, tries to obtain a transfer to a seaside town, on the French Riviera, at any cost. The trouble is that he is caught red-handed while trying to scam an inspector. Philippe is immediately banished to the distant unheard of town of Bergues, in the Far North of France...

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

The film offers several variants of growing up at the Mediterranean coast.

Five passengers - the Bandit, his friend Matvei, Matvei's old father, the Musician, and a young woman - race along an empty road in a big black jeep, searching for the Belfry of Happiness which, according to hearsay, lies somewhere between St. Petersburg and the town of Uglich, near a deserted nuclear power station. The Belfry takes people, but it does not take everyone. Each of the five passengers believes that he or she will be chosen.

A lighthouse keeper lives on an isolated island together with his wife, ailing father and retarded sister. News of a serial killer stalking the isolated lighthouses makes him leave in order to hunt him down. In the meantime, the wife meets a mysterious and seductive stranger.

A group of young men rampage all day through the streets of an Adriatic port make love, wrangle over lunch, drink, finally steal a bus and is a burst of destructiveness drive it over the cliffs into the sea from which in surrealist fashion they are resurrected.

Mladen (44) Belgrade born, is a timeshare salesman at Montenegrin Holiday resort. He is having an affair with his colleague, Sonja (40), who is married to Metod (50) the chief sales manager who learns about his wife's infidelity. He assigns Mladen the toughest client - Omer, a Bosnian war veteran, who doesn't try to hide his aversion to Mladen. Everything becomes hopeless when Omer's three year old son Svendy falls over the edge of the hotel terrace and ends up in a hospital. Grim mood that prevails among the potential buyers is about to ruin the sales. Sonja and Metod blackmail Mladen to continue the sales at the hospital while Omer and his wife are waiting for their son's operation.

Asthmatic grandmother named Safa and her six-month baby granddaughter Jasmina, are transferred in a humanitarian convoy from the besieged Sarajevo to a peaceful small city at the Adriatic coast. By a combination of circumstances, their first neighbour is an alcoholic named Stipe. He is constantly causing troubles and making their lives complicated. During one of her asthma attacks, having no other choices, Safa rings Stipe's bell and hands him the baby. Stipe starts to temporarily take care about baby Jasmina. Safa dies at the hospital and now Stipe is left alone with the baby. He's clumsy, even funny. She becomes his only mission in life. He is not ready to give Jasmina away to anyone. He loved her as if his own granddaughter even daughter. Suddenly someone is at the door. Stipe recognises Jasmina's mother. In spite of all his internal struggles, he returns Jasmina to her mother. Stipe stays alone, again.

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.