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***A famous director loses his inspiration and seeks aid from the various women in his life*** Released in 2009, “Nine” is a drama/musical about a famous Italian director in 1965 (Daniel Day-Lewis) who loses his inspiration, but its urgent he gets it back because his ninth movie is set to start shooting in ten days and he doesn’t even have a script. He turns to the several women in his life for succor: his wife (Marion Cotillard), his mistress (Penélope Cruz), his costume designer (Judi Dench), his star actress (Nicole Kidman), his mother (Sophia Loren), a fashion journalist (Kate Hudson) and a prostitute from his boyhood (Fergie). This is an adaptation of the 1982 Broadway musical, also dubbed “Nine,” which itself was based on Federico Fellini's semi-autobiographical 1963 film “8½.” It’s very similar to director Rob Marshall’s “Chicago” (2002), but with a different story, cast and location (Rome and points nearby). During the first half I wasn’t so sure about the story, but I eventually found myself absorbed into the life of the tormented director and his mid-life crisis. His unfaithfulness to his beautiful wife, Luisa (Cotillard), is off-putting of course, but maybe we should have mercy for a man who has scores of gorgeous women offering themselves to him practically every day. It helps that he WANTS to be free from his adulteries and be true to Luisa. Yet I have a hard time picturing Guido (Day-Lewis) seeking the amorous attentions of Carla (Cruz) above Luisa. Carla is decent, as far as all-around physical beauty goes, but Luisa has better curves. Both of the characters’ have imaginative dance sequences, but Luisa comes out on top even though her routine is less tantalizing. Day-Lewis is fascinating as the guilt-stricken director who hasn’t let his fame go to his head. When he asks a cleric for advice about God and his troubles, the vicar responds: “Imagination is God’s garden, don’t let the devil play in it.” I generally don’t favor musicals where the characters suddenly jump into song & dance while walking at the park or eating dinner. My wife & I sometimes poke fun of these kinds of musicals by mimicking them while doing mundane activities. For me, musicals only work, generally speaking, when the singing/dancing sequences are legitimate, like a performance at a nightclub or one's imagination, both of which were used in "Chicago." Of course it’s more challenging and takes more creativity to incorporate song & dance routines in this manner and keep the movie seamless & realistic. “Nine” does this. The film runs 1 hour, 58 minutes and was shot in Italy and England. GRADE: B
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Shinji is a middle-aged, sleaze film director who used to be famous. He hardly goes back home and moves from one woman to another. In spite of his idleness, women are very fond of him and look after him compassionately for whatever reason.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.
When car dealer Charlie Babbitt learns that his estranged father has died, he returns home to Cincinnati, where he discovers that he has a savant older brother named Raymond and that his father's $3 million fortune is being left to the mental institution in which Raymond lives. Motivated by his father's money, Charlie checks Raymond out of the facility in order to return with him to Los Angeles. The brothers' cross-country trip ends up changing both their lives.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.