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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
***“X-Men” laid the foundation for all the great Superhero flicks to come*** I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something akin to Superman, Spider-Man or Batman, forget it. The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with an attitude of superiority. Unfortunately, power corrupts and absolute power corrupts absolutely. You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison. Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality: "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006). "X-Men" naturally lays the foundation by introducing the principle characters and the plight of the mutants. Wolverine and Rogue are introduced and slowly develop an interesting big brother/little sister type relationship. They come into contact with both Magneto's Brotherhood and Xavier's school and nobly opt for the latter. Magneto's bunch includes Sabertooth, Toad and Mystique, while Xavier's team includes Cyclops, Jean Grey and Storm, as well as adolescents Iceman and Pyro. Both groups of mutants meet and tussle at Liberty Island in New York Harbor, which is the weakest part of the film, but not bad. When "X-Men" debuted in 2000 it was easily the best comic-to-film adaption since "Superman" (1978) and "Superman II" (1980). It was the precursor to all the great superhero films that came out in the 2000s and has only lost some of its allure due to the quality of many of those films. The movie runs 1 hour, 44 minutes with several interesting deleted scenes available. GRADE: A-
X-Men is a milestone in cinema history. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today. The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source material respectfully and seriously. It's legacy may be greater than the actual movie, but X-Men is x-cellent!
Decent watch, might watch again, and can recommend. This is not a good "comic book movie", but as a stand alone story, it's decent if derivative. Just pretend I did a whole rant about how this isn't like the comics, we're both better off this way. There are a lot good points like balancing the characters and stars in a way that was lauded way more in Avengers later on because everyone liked those characters better and there was some definite "oomph" to the Avengers franchise that the X-Men franchise was missing from the start, but no one had done it right yet so it was unclear what we didn't know at the time. Fox clearly put enough money into this on the basis of the cast paychecks alone, and there are several good visual effects throughout the movie. Comic consistencies aside, they really shoehorned some of the things in and there character writing is clearly misdirected. The writing has a good skeleton to it, but there are too many places where they wrote "and something cool happens to distract the audience". X-Men is a drama story, and they carried that into the movie, but it would seem they were aiming to be an action movie with a deep plot and just landed inbetween. The action is all between characters that (and I fully believed the actors did all they could) are limited to being awkward, goofy, stiff, or empty.
'X-Men' is very good. Another franchise I'm checking out for the first time, despite knowing about it for a number of years. This is a positive opener, there is a lot to feel entertained by for sure. Hugh Jackman (Wolverine) is the star of the show, though Patrick Stewart (Professor X) and Ian McKellen (Magneto) are solid too. Intrigued to check out the sequels and the subsequent other productions. /copied directly from my Letterboxd review\
"Marie" (aka "Rogue" - Anna Paquin) really does know how to suck the joy out the relationship with her boyfriend, so runs away and hooks up with "Wolverine" (Hugh Jackman). Both of them are on the radar of the evil "Magneto" (Ian McKellen) so the benign "Dr. Xavier" (Patrick Stewart) dispatches "Storm" (Halle Berry) and "Cyclops" (James Marsden) to fetch them back to his school for the gifted. Here, he is able to train these powerful mutants so they are prepared to take on the megalomanic baddie. "Magneto", in turn, is intent on dealing once and for all with humanity, and it's intolerance of the whole of mutant-kind. This is very much an establishing film for a series yet to come. The backstories and identities are built up so we understand who is who, and why they are behaving as they do - and that includes the nervous humans led by "Sen. Kelly" (Bruce Davison). I'm not sure if it's search for mass appeal (it's rated 12) compromised it too much, but for the most part this is all just a rather procedural excuse for some long combat scenes and some special effects based around some handsome people in the cast. To be fair, there are a few fun rivalry scenes between Jackman and Marsden (though luckily no yellow spandex) but Stewart is just "Picard" in a wheelchair and though McKellen offers a more substantial effort as "Magneto", even he doesn't really have much by way of decent dialogue to get his teeth into. Indeed, the writing is really pretty lame throughout. It is a good film to watch, especially on a big screen, but let's hope the series storylines mature a bit for the next one.
Released to commemorate Kamen Rider 555's 20th anniversary, the film takes place after the ending of the TV series. Masato Kusaka and Mari Sonoda are fighting a new iteration of Smart Brain led by Kitazaki, who begins an operation to exterminate all Orphnochs, with Takumi Inui seemingly working with them for unknown reasons since his disappearance.
Eiji Hino returns to Japan and delivers some shocking news to Hina...
As the ancient king OOO continues his onslaught on humanity, Kougami gathers his former employees to create a resistance... and introduce a new weapon in the fight!
In order to counter the rapidly increasing organized crime, the development of Polymar Suits resumed under the direction of the newly inaugurated police superintendent. But when three of the test version Polymar Suits are stolen, former street fighter and current detective Takeshi Yoroi is tasked with recovering them and the invincible hero Hurricane Polymar is born!
Goro is a sommelier who transforms into the titular Kamen Rider G to fight the former anti-terrorism unit Shade, who captured and brainwashed him into a soldier, before the unit went underground due to the use of kidnapped people as supersoldiers. During a raid at TV Asahi led by Daidō Oda, who demands the release of their imprisoned leader, Seizan Tokugawa, Goro encounters his girlfriend Eri Hinata. She jogs his memory and he attacks his former comrades while getting Eri out of harm's way. This makes Oda reveal his true form as the Phylloxera Worm while his subordinates transform into the Acarina Worm, the Subst Worm, the Brachypelma Worm Viridis, and the Cochlea Worm to attempt to destroy the traitor. After an extended fight across the city and countryside, G manages to defeat Phylloxera Worm thanks to the encouragement of Decade and the other primary Heisei Riders appearing before him. Running off, Goro vows to save the world from Shade before returning to Eri.
When the Hulk's presence on Earth becomes too great a risk, the Illuminati trick him to board a shuttle destined for a planet where he will be able to live in peace, and launch it into space. The Hulk's struggle to escape causes the shuttle to malfunction and crash land on the planet Sakaar, however, where he is sold into slavery and trained as a gladiator.
A telepathic mutant recruits a post World War III TV game show warrior to lead her band of mutants to safety.
Kronos, hero of a distant galaxy, tangles with mad scientist Gulik over the fate of mankind.
When terrorists threaten nuclear catastrophe at Chernobyl, the world's only hope is to reactivate decommissioned Universal Soldier Luc Deveraux. Rearmed and reprogrammed, Deveraux must take on his nemesis from the original Universal Soldier and a next-generation "UniSol" that seems almost unstoppable.
In the film, the Crisis Empire devise a plan to defeat Kohtaro Minami by reverting him back to his old form of Kamen Rider Black and sending out several revived monsters after him. However, Kamen Rider Black is assisted by another RX, who used a time warp to help his past self. The two are joined by RX's alternate forms of Robo Rider and Bio Rider and the four Kamen Riders combine their powers to defeat the revived monsters.
The members of the Super GUTS force, one of whom is secretly Ultraman Dyna, are in the middle of a losing battle against an enormous monster on the surface of the moon, when suddenly a spaceship appears and saves them by zapping the beast. The crew of the ship claim to members of the world peace force that originally created the Super GUTS force, and they invite the GUTS members to enter their brainwave patterns into the ship's battle computer so it can be a more effective fighting system. It sounds like a good idea, but could they have some other plan up their sleeves?