Excerpts from Soon

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

A perceptive and funny study about the fantasies, inhibitions and dreams of two frustrated and lonely middle-class matrons who set up competing lemonade stands along a jammed highway. This short play incorporates comedy and tragedy, a touch of the bizarre, and ultimately, a sincere compassion in both women.

Is a sensitive and mysterious poet really an IRA gunman in hiding? Set in a Dublin tenement in the 1920s, this was the first part of Sean O'Casey's celebrated "Dublin Trilogy." Equal parts comedy and tragedy, this classic play is brilliantly performed by a stellar cast.

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

A recorded play performed live and also screened at the 2024 New York City Fine Arts Film Festival. Creative energies will unite as a diverse group of performance artists comes together in a powerful collective act, exploring our cognitive dissonance towards the toxic environment and destructive behaviors we engage in as a society—behaviors that, in the end, are slowly killing us and our planet. The performance seeks to reveal, acknowledge, and initiate a collective healing.

TV film of Steven Berkoff's stage adaption of Kafka's famous story in which a young man, who is the sole financial supporter of his family, awakes one morning in the form of a giant dung beetle and thereby becomes a nuisance to his family, who must now learn to rely upon themselves.

Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.

When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.

A country girl (Simone Berriau) finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.

The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.