Paradies. Eine imperialistische Tragikomödie

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

The passage of time is spellbinding in this cinematic tour de force about the Wadden Sea. A film that inhales and exhales along with the tides as it explores the fragile relationship between man and nature.

In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.

Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

The tower block area "Am Kölnberg" has a bad reputation. People who - for any number of reasons - ended up on the edge of society, live here alongside refugee families and immigrants from all over the world. Unemployment, drug abuse and prostitution are part of everyday life for many of them. The film accompanies 4 people over a period of two years and portrays their life at "Kölnberg" with ups and downs. One thing they all have in common: The dream of leading a fulfilled life, far away from "Kölnberg".

″Haymatloz″ tells the stories of five German Jewish academics who emigrated to Turkey in the 1930s, to be welcomed with open arms. After 1933 a considerable number of German intellectuals emigrated to Turkey at the invitation of Atatürk and went on to definitively shape teaching and instruction in Turkish universities. Turkish-born filmmaker Önsöz accompanies the descendants of these German exiles and sheds light on a memorable piece of history whose meaning is still felt to this day, as these renowned Germans played a substantial role in the Europeanization of Turkey.