Am Kölnberg

Over the course of a week, sisters Inger and Ellen find their relationship challenged on a highly anticipated coach trip to Paris. Inger reveals her struggles with schizophrenia to the group, receiving both pity and discrimination. On arrival, it soon becomes clear that Inger has a hidden agenda concerning a figure from her past, ultimately involving the entire group in her hunt for answers.

A documentary exploring sexism and patriarchy in Kosova.

A documentary about socialising and society in early 1970s New Zealand.

A documentary taking its cues from children's imaginative flights of fancy.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

A short film in the Canada Vignette series. A cinematic portrait of a blind auto mechanic.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.