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> When the balance was broken between the two worlds! Considering this filmmaker from the B movies, this is not a bad one, probably it may remain as his best work for sometime. Definitely not a great horror film either, yet the rating it has received is a very low. The title says everything, but there are other things in the narration to get engaged with. Obviously a bit slow, and patches between the scenes should have been developed better. But overall film was slightly above average if you welcome a blend between two different cultures and themes. It was the tale of a western couple who settled in Mumbai, but the film opens with their plan to start a family and later it moves to six years forward. Now they're grieving with their son's death, especially the mother with a guilty feeling. Then she comes to know a place to make a contact her dead son and to say proper goodbye. But what follows is the supernatural chaos in the house and finding a way to fix everything is the remaining film to reveal. The concept was really wonderful, but the film was designed to be not scary or maybe those parts were just a cliché. You know those dead guys in the make-ups try to scare you stuffs. The story wise, it is refreshing, but should have been added more to it to make further interesting. It was just a 90 minute film, yet feel somewhat lengthy. Actors were decent, the locations were okay, the production was much better and the overall film was acceptable kind. Except easily predictable scenes, not bad for a casual watch. 6/10
This is one Oliver who doesn't need an army. Directed by Johannes Roberts and Roberts co-writes the screenplay with Ernest Riera. It stars Sarah Wayne Callies, Jeremy Sisto, Sofia Rosinsky and Suchitra Pillai. Still struggling to come to terms with the death of her young son, Maria (Callies) is told of an Indian ritual where she can say goodbye to her son one last time, under one condition. The condition is that the conversation will be on the other side of a door - a door which simply must not be opened... There were far worse horror films than this released in 2016, that's not to say this should be a selling point for The Other Side of the Door, but it at least is effective in what it does. The problems really are that it's all very cliché ridden, but how many horror films do not have clichés anyway? This is one for those who are just after a few genuine scares, some creeping dread like atmosphere, and a nifty ending. It doesn't tread any new ground, and it comes off like the bastard child of Ringu and Pet Sematary, but sometimes a safe horror with clichés is all you need for a decent night in with the lights off. 6.5/10
Recently fired, a grim reaper with anger issues terrorizes a small town, killing and collecting souls for a purpose only he knows. Sam and Martin, slackers who work at the local bakery, are hired by a mysterious stranger to stop him from killing again. Now they are the only ones who can take out Death before it's too late, but these idiots have no idea what they've walked into.
When 12-year-old Ton transfers to an all-boys boarding school, he's taunted by his peers and terrified by their tales about the ghosts that inhabit the school. Ton is utterly miserable until he befriends a mysterious fellow pupil.
Gunslinger Jonah Hex is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull, a former Confederate officer determined on unleashing hell on earth. Jonah not only secures freedom by accepting this task, he also gets revenge on the man who slayed his wife and child.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
A beloved pop star at the top of her game — until she takes a tumble from the top of the stairs and wakes up in Hell. Lucky for her, the Grim Reaper is her number one fan and, in a desperate attempt to save his idol, secretly gives Sophie a second chance at life back on Earth. But with Sophie’s resurrection comes a deadly target on her back when she’s threatened with being dragged back to Hell.
A series of terrifying accidents and brutal murders leave a bloody trail into the subterranean caverns of an Opera house. Below the theatre stalks a man raised by creatures of the underworld.
An architect's desire to speak with his wife from beyond the grave using EVP (Electronic Voice Phenomenon), becomes an obsession with supernatural repercussions.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for his supper.
A group of friends set out on a road trip to "the party of the century" in the middle of nowhere, but on the way, they break down and find themselves being hunted for a satanic ritual.
Six years after being kidnapped by a cult, Jamie tries to escape the clutches of her serial killer uncle, Michael Myers.