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Vedalam begins with a police operation in Italy. The assignment is to nab Rahul (Rahul Dev), an international don, but the officer in charge of the operation realizes at the last moment that his target has tables the tables on him. As he is about to die, he says there will come a guy even better than him to take him down. To this, Rahul replies that a it will take a really bad man to even come close to him. Cut to Kolkata. Enter Ganesh (Ajith), who has arrived in the city with his sister Tamizh (Lakshmi Menon). They are moving to the city for her studies. Ganesh becomes a cabbie and his soft demeanour endears him to everyone. Meanwhile, he informs about a suspect to the cops, and the gangster, Aniket (Aniket Chouhan), who is Rahul's brother, wants his head. He is nabbed and taken to the Aniket's yacht. And that is when Ganesh shows his Viswaroopam! Everyone is decimated, and that lays a trap to Aniket's brothers — Rahul and Abhinay (Kabir Singh). Who is Ganesh for real and what is his enmity with these criminals? If you have seen Siva's previous films — Siruthai and Veeram — you will have a fair idea of what to expect in Vedalam. He is beginning to make a career out of films that are extremely loud and incredibly gratuitous, and his filmmaking style mainly involves ramped up camera moves, frenzied cuts, and over-the-top acting with an ear-splittingly loud background score for company. He is like the student who manages to pass despite his handwriting being an illegible scribble. And he stays true to this style in Vedalam, which, surprisingly, works... somewhat! The main reason for this is a flashback episode that is familiar but still manages to strike a chord. There is something affecting about the concept of compassion changing the heart of a mercenary gangster. It is a done-to-death trope but Siva makes it convincing by not overdoing the emotional drama in this segment. He also capitalizes on the brother-sister sentiment, but refreshingly, the scenes between Ajith and Lakshmi Menon feel like understated melodrama when compared to the tone of the rest of the film. The romantic track is, thankfully, (almost) non-existent, while the comedy track, anchored by Soori who tries desperately to make us laugh — and fails, is juvenile. The absence of Santhanam, who made these portions in Siva's previous films enjoyable, is clearly felt. But then, the other characters, including the heroine and the villains, in such a film exist mainly for one purpose — the veneration of the hero and for this, the director uses the formula of both MGR and Rajinikanth. Ganesh is a do-gooder like the former and we get the supporting characters exalting his qualities (Ivan azhinju poganum-nu nenaikaravan kooda ivana admire pannama irukka mudiyathu). And taking a cue from the latter, the hero is proud and keen to project a bad guy image (Nee kettavan, naan kaedu kettavan). As he did in Vaali and Villain, Ajith puts his shtick of instantly changing expressions to good use to send fans into frenzy, though he is made to laugh like a crazy person doing the stunt scenes. There is a passing resemblance to Baasha (a seemingly innocent man with a violent past) but fans of the Rajinikanth film can rest easy as this is not a complete rehash of the film as rumours had suggested. At least for that, we have to be thankful to Siva.
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master’s death, Chen takes on both Chinese and Japanese assassins… and even a towering Russian.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Advertising executive Nick Beame learns that his wife is sleeping with his employer. In a state of despair, he encounters a bumbling thief whose attempted carjacking goes awry when Nick takes him on an involuntary joyride. Soon the betrayed businessman and the incompetent crook strike up a partnership and develop a robbery-revenge scheme. But it turns out that some other criminals in the area don't appreciate the competition.
Leung Cheng-Yee is a successful architect who is mistakenly involved in a complex and vicious murder plot. After his wife is murdered and his life turned completely upside down, Leung decides to seek a bloody vengeance himself.
Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
Batman must face The Penguin, a sewer-dwelling gangleader intent on being accepted into Gotham society. Meanwhile, another Gotham resident finds herself transformed into Catwoman and is out for revenge...
The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.
Ex-hitman John Wick comes out of retirement to track down the gangsters that took everything from him.
The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.