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An inspiring feel-good true story about fighting for a dream that only you can see. Most importantly this movie dares to put up a fight fighting against old Indian traditions and female prejudice. Two daughters overcome heavy obstacles to become world famous Indian wrestlers, with the support and motivation of their father and trainer. It is a very colorful, well-made lighthearted entertainment. The acting is fine, and the characters are relatable. A drawback is that it is way too long for a one-night-movie, and should have been made into a mini-series. Overlooking the abuse-aspect: I think it is important to say that personally, I don't agree with most of the methods the father used to train, strengthen and harden his daughters, as a lot of actually was serious child abuse. Their mother also acts as the passive typical enabler. To make it worse, the movie dismisses and jokes about the psychological hurt on the daughters as if it didn't do any damage. In Europe, the father would have been jailed and the kids taken away by CPS. I think it is a big misunderstanding to glorify abusive behavior, but I guess Indians still have to learn that you can motivate your children without abusing them.
Too long, too predictable and too slow. After the 161 minutes were over, I didn't hold anything majorly negative about 'Dangal' as it does improve as it goes on. However, the first chunk of this film is yawnful, with the story falling to initially inspire - just a guide on how to be a bad parent, in anything. The ending is also pretty cartoonish, with the broom cupboard stuff. The cast performances are, in fairness, very good. Aamir Khan does great as Mahavir, while Fatima Sana Shaikh (and Zaira Wasim) are impressive as Geeta. Sanya Malhotra (and Suhani Bhatnagar) deserve praise also. With that noted, It isn't really anything all that fresh for Bollywood sport biopics either. It follows similar beats to 2014's 'Mary Kom' and 2015's 'Brothers'... even 2011's 'Patiala House'. For me, this 2016 production just feels so bloated and forced that it hampers the, admittedly noteworthy, hearty narrative. The leads are the only strong points to it in my opinion. It has been very highly received by others, so what do I know? Opinions and all that.
Camille, a young idealistic photojournalist, goes to the Central African Republic to cover the civil war that is brewing up. What she sees there will change her destiny forever.
Lise (16 years old) is accused of murdering her best friend. As the trial starts, her parents stand right by her side. But once her secret life is revealed in court, the truth becomes indistinguishable.
A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
The TCICWF is shutting down forever, and these colorful, eccentric, clueless, indie wrestlers have one last chance to show the world that they belong in the big leagues.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
