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An inspiring feel-good true story about fighting for a dream that only you can see. Most importantly this movie dares to put up a fight fighting against old Indian traditions and female prejudice. Two daughters overcome heavy obstacles to become world famous Indian wrestlers, with the support and motivation of their father and trainer. It is a very colorful, well-made lighthearted entertainment. The acting is fine, and the characters are relatable. A drawback is that it is way too long for a one-night-movie, and should have been made into a mini-series. Overlooking the abuse-aspect: I think it is important to say that personally, I don't agree with most of the methods the father used to train, strengthen and harden his daughters, as a lot of actually was serious child abuse. Their mother also acts as the passive typical enabler. To make it worse, the movie dismisses and jokes about the psychological hurt on the daughters as if it didn't do any damage. In Europe, the father would have been jailed and the kids taken away by CPS. I think it is a big misunderstanding to glorify abusive behavior, but I guess Indians still have to learn that you can motivate your children without abusing them.
Too long, too predictable and too slow. After the 161 minutes were over, I didn't hold anything majorly negative about 'Dangal' as it does improve as it goes on. However, the first chunk of this film is yawnful, with the story falling to initially inspire - just a guide on how to be a bad parent, in anything. The ending is also pretty cartoonish, with the broom cupboard stuff. The cast performances are, in fairness, very good. Aamir Khan does great as Mahavir, while Fatima Sana Shaikh (and Zaira Wasim) are impressive as Geeta. Sanya Malhotra (and Suhani Bhatnagar) deserve praise also. With that noted, It isn't really anything all that fresh for Bollywood sport biopics either. It follows similar beats to 2014's 'Mary Kom' and 2015's 'Brothers'... even 2011's 'Patiala House'. For me, this 2016 production just feels so bloated and forced that it hampers the, admittedly noteworthy, hearty narrative. The leads are the only strong points to it in my opinion. It has been very highly received by others, so what do I know? Opinions and all that.
Five different criminals face imminent death after botching a job quite badly.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.