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Wizards Beyond Waverly Place - (Jan 18th)
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Which gives you the insane privilege to blow people to bits? Cornered is directed by Edward Dmytryk and adapted to screenplay by John Paxton from a story by John Wexley. It stars Dick Powell, Walter Slezak and Micheline Cheirel. Music is by Roy Webb and cinematography by Harry J. Wild. Story is set at the end of World War II and finds Powell as demobbed Canadian flier Laurence Gerard. He returns to France to discover who ordered the killing of a group of French Resistance fighters, one of which was his new bride. Learning from his father-in-law that it was a Vichy collaborator named Marcel Jarnac. Gerard refuses to believe the rumour that Jarnac is dead and sets off on a trail that will lead him to Argentina, from where it soon becomes evident that Fascism is alive and well. From the off Powell's intense miserablist Laurence Gerard sets the tone for Dmytryk's no-nonsense picture. Mood is set at revenge bleak and spills over into a humourless detective picture with huge anti-fascist leanings. As Gerard snakes his way from France to Argentina, via Switzerland, and heavy with a black heart, he encounters a myriad of shifty characters and traverses what would become a roll call of film noir locations. Enter dark streets, alleys and low lighted rooms. Wedge in some murder and grim violence and Cornered clearly isn't a film for those in need of a pick me up!. It's also a twisty narrative, a plot that demands the utmost attention to follow what is going on. But that attention is rewarded with a spiky script that lets the number of characters really come to life, especially Gerard, who reels off a number of cutting remarks befitting his gait. Dmytryk ("Farewell My Lovely/Crossfire") and Wild ("Pitfall/The Big Steal") shoot it mostly as night time set-ups, thus enforcing the murky atmosphere, and Webb's musical accompaniment carries with it a ticking time bomb effect. Powell (also "Farewell My Lovely/Pitfall") and Slezak ("Lifeboat/Born To Kill") shine in a cast list of mostly unknowns or stock character actors. The former broods convincingly, the latter is the epitome of sweaty untrust. But there are some fine performances in the support slots, notably from Nina Vale as slinky femme fatale in waiting, Señora Camargo, of whom little is known since her film career numbers only three. While Luther Adler ("D.O.A./Kiss Tomorrow Goodbye"), in the early throes of his career, menacingly strolls into the picture for the last quarter for great viewing impact. Good stuff and recommended with confidence to film fans who enjoy some grit and blackness in their viewing diets. 8/10
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.
Warren Quimby manages a drugstore while trying to keep his volatile wife, Claire, happy. However, when Claire leaves him for a liquor store salesman, Warren can no longer bear it. He decides to assume a new identity in order to murder his wife's lover without leaving a trace. Along the way, his plans are complicated by an attractive neighbor, as well as a shocking discovery that opens up a new world of doubts and accusations.
Jenny Marsh, recently released from prison for killing a man, finds herself under the watchful eye of her parole officer, Griff Marat, who helps her secure a job caring for his ailing mother.
In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.
An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.
Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.
Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.
Art curator George Steele experiences a train wreck...which never happened. Is he cracking up, or the victim of a plot?
Joe Sullivan (O'Keefe) has taken the rap for Rick (Burr), who double-crosses him with a flawed prison escape plan and other means intended to get rid of him. After seducing a beautiful young case worker, Joe uses her to help him carry out his plot for vengeance, leading him to the crazed Rick who set him up.