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Lean mean amnesia machine. *** This review contains a spoiler *** The Clay Pigeon is directed by Richard Fleischer and written by Carl Foreman. It stars Bill Williams, Barbara Hale, Richard Quine and Richard Loo. Music is by Paul Sawtell and cinematography by Robert De Grasse. Jim Fletcher (Williams) is a survivor of a Japanese prisoner-of-war camp who awakes from a coma with amnesia, and a charge of treason against him! Escaping hospital he aims to recover his memory and hopefully clear his name. The secret may be with another ex-POW inmate and the wife of the man who was killed on account of his supposed treason. Stripped down to the bare essentials by Fleischer, The Clay Pigeon is a one hour TV episode in essence. Dealing in that old noir favourite, that of amnesia, the director doesn't hang around to build any sort of supporting characters. This is firmly a two character piece as Williams and Hale (real life husband and wife) run through a narrative that has her initially hostile towards him, only to then unsurprisingly warm to him as events conveniently fall into place to prove his innocence. There's a willingness to balance out the anti Japanese slant that initially hangs over the story, and a twist in the tale, whilst hardly a surprise, earns writer Carl Foreman some grace to forgive the poor contrivances elsewhere. The night time sequences are nicely noirish, without really adding any sort of psychological dimension to the atmospherics, and the cast are adequate as per the quality of production. All told it's an enjoyable enough B-level noir out of RKO, even if it's hardly essential viewing. 6/10
Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...
One morning in an ordinary town, five people are shot dead in a seemingly random attack. All evidence points to a single suspect: an ex-military sniper who is quickly brought into custody. The interrogation yields one written note: 'Get Jack Reacher!'. Reacher, an enigmatic ex-Army investigator, believes the authorities have the right man but agrees to help the sniper's defense attorney. However, the more Reacher delves into the case, the less clear-cut it appears. So begins an extraordinary chase for the truth, pitting Jack Reacher against an unexpected enemy, with a skill for violence and a secret to keep.
Carrie Remington seems like any other struggling waitress who's had a run of bad luck including a recent divorce. Things seem to be improving when she moves in with Ashley Dunnfield, a young woman from a wealthy background who's trying to make it on her own without assistance from her father, Richard. Ashley is thrilled when Carrie helps to win her father over, but when Carrie starts dating Richard, Ashley starts digging into her past and finds out that there is much she didn't know about her new roommate's sinister history.
A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.
Detective Sal Vallentinetti visits The Filthy Fox to further inquire about the killer behind a string of recent murders in Midnight City.
The Comic Strip team return for a special 50s-style 'fugitive' film noir spoof. The 60-minute film, penned by Peter Richardson and Pete Richens, follows Prime Minister Tony Blair (Stephen Mangan), wanted for murder and on the run. Escaping from Number 10 and leaving behind his adoring wife Cherie (Catherine Shepherd), Tony vows to clear his name no matter what the consequences.
The Orient Express, on its night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a young writer, an actress, and her daughter, an elderly dancer, five neo-nazi punks, and a strange man that seems to have some kind of influence over them through their dreams.
Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.
An ex-con sets up a program to straighten out hard-core prisoners. Things don't go as planned.
An unhappy wife uses her powers of manipulation to draw an infatuated man into an ill-fated jewelry heist.
The wedding of Ellen and David is halted by a stranger who insists that the bride is already married to someone else. Though the flabbergasted Ellen denies the charge, the interloper produces enough evidence that his accusation must be investigated. Ellen and David travel to the small coastal town where her first wedding allegedly occurred. There, they meet a number of individuals whose stories make Ellen question her own sanity.