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It is inevitable that a sports film will hew to a certain formula — the discovery of an extraordinary talent, the practice montage, the challenges on and off the field, the grand finale with an outcome that could either be rousing or downbeat. So, it is not surprising that the outlines of Irudhi Suttru, a boxing drama, are familiar. We have a grumpy coach, a rebellious student, politics from the sport's administrators, jealousy from rivals and a tense climactic bout. But what makes the film stand out is how superbly the director, Sudha Kongara uses these plot points to paint her canvas. The film begins with Prabhu (Madhavan), a once-promising boxer failed by the system and now a no-nonsense coach, being forced to move to Chennai due to internal politics in the boxing association. In Chennai, Prabhu comes across Madhi (Ritika Singh), a rowdy fisherwoman who has a natural flair for boxing, and whose sister, Lakshmi (Mumtaz Sorcar) is training for the boxing championship. Prabhu offers to teach the hot-headed Madhi, who is enthusiastic about the sport but is put off by the coach's stern attitude. The two warm up to each other and Madhi even develops a crush on Prabhu. But there are forces that threaten to derail both their dreams. The writing is strong for the most parts of Irudhi Suttru and the excellent cast effortlessly conveys the various shades of their characters. The beefed-up Madhavan might be the film's anchor but it is the pocket-sized dynamo Ritika's performance that gives it its punch. The supporting cast is superb. We know what Nasser and Radha Ravi are capable of, but Kaali Venkat, as the girls' drunkard father who converts to Christianity just to make a few bucks, manages to overtake these veterans with his finely-calibrated performance. If there is a chink in the armour, it is the characterisation of the antagonist, Dev, who is one-note and cliched. And the (type)casting of Zakir Hussain for this role doesn't help either. The little touches, like the observation on Chennai's poster culture (one of the posters welcoming Prabhu calls him 'Boxing Loin'!), the fact that Madhi's mother is a north Indian, that Madhi is a fan of Dhanush, the relationship between Radha Ravi and Madhavan, the explanation Lakshmi gets for why Prabhu prefers Madhi, add a bit of quirkiness to the tale. The fight scenes are also tensely choreographed and are plausible unlike the over-the-top boxing scenes that we saw recently in Bhooloham. But it is the relationship between Prabhu and Madhi is what drives the film and the director makes it amply clear that she needs him as much as he needs her. Their scenes have a charge that keeps us hooked and it is only when Prabhu disappears for a brief while in the second half that we understand how crucial their scenes together are for the film. On the whole, it might not deliver a knockout punch, but Irudhi Suttru manages to land punches that constantly surprise us (the rousing climax ensures that we walk out with a smile) and in a good way.
> One can only show their passion for something, it's the others who are able to see their talent. Inspired by the boxing culture of the north Chennai. It tells how Indians took the sport in their hand and mastered it, specially this film focused on the women boxing. It is definitely a confident boosting film if you are an ambitious sportsperson. But looks like its for adults due to too much use of the rude language. That really did surprise me, because it is expected for a Bollywood film, but Kollywood has a different culture and it was very strong. It was not actually about Madhavan, he was just a coach like sharookan from 'Chak de India'. So it is about a young girl named Madhi, who hailed from a poor fisher family. Without any education and social manners, how she makes her fortune turnaround after a new chief boxing coach finds her passion and skill towards the sport. The remaining narration is all about her journey from the slum to the boxing championship. It kind of reminded me the story of a flower girl from the streets who makes to the high society in the film 'My Fair Lady'. Except here, it was replaced by the boxing. With a bit of romance, music/musical, humours, as well as rivalries and corruption this film is a quite entertaining. Well directed film, but I'm slightly not happy with the screenplay. Because, no doubt, it is a fine theme yet too much localised for domestic market. As a result, if you're an International audience, there's an issue to understand the culture and language translation the loses its originality in the subtitle. And one more thing is that the background score was good, but disappointing songs, though its video was decent. Awesome performances, especially by Ritika Singh, and Madhavan. The tale was told from his perspective, but Ritika takes the lead with her skillful show in the both, acting and boxing. For the Indians it is surely a must see and one of the best sports films in the recent time, but for the rest of the world, it falls into a decent category. 7/10
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Ely, a young man who can't get over Celine, his past love, meets Mia, a young woman who escaped from a painful past in the Philippines and is trying her luck to rebuild her life in Spain. They meet. They fall in love. But can they overcome the hurt of the past to have a future together?
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.
Seven years after Jason, Orked is now married to a much older guy, Arif. Everything seems ideal in their marriage at first glance. One fateful morning, Orked is awakened by a distressing phone call from Mak Inom with news that Pak Atan has become catatonic due to diabetic complications.After some chaos, they take Pak Atan to the hospital. There, Orked bumps into Alan, Jason’s elder brother. His father, Pa has also been hospitalized. As the film develops, we witness the friendship between Alan and Orked flourish, to Arif’s apprehension. Perhaps because for Orked, Alan is a link to her first love.
It tells a story about a free-spirited older couple, Pak Atan and Mak Inom who decide to spend more time in the country after getting tired of city life. But they find that life in the old village isn't a good thing when they get cheated by a distant relative, Yem, out of some money. They cut him off and Yem plots revenge. Meanwhile, in the city, the couple's daughter Orked is being wooed by a young gentleman,