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The Bold and the Beautiful - (Feb 27th)
Lets Make a Deal - (Feb 27th)
The Price Is Right - (Feb 27th)
The Young and the Restless - (Feb 27th)
Shifting Gears - (Feb 27th)
George Clarkes Building Home - (Feb 26th)
The Last American Vagabond - (Feb 26th)
The Tommy Tiernan Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Match of the Day - (Feb 27th)
Deadline- White House - (Feb 26th)
The Curse of Oak Island - (Feb 26th)
Rogue Claimers - (Feb 26th)
Surgeons- At the Edge of Life - (Feb 26th)
Phone Scams- Dont Get Caught Out - (Feb 26th)
Scotlands Home of the Year - (Feb 26th)
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The Joe Schmo Show - (Feb 26th)
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When Leos Carax's film POLA X premiered in 1999, it was seen then as part of the New French Extremity movement, with critics and audiences picking up on its unsimulated sex scene. Yet that forms only a brief few minutes of quite ample film. Two decades on, audiences of today ought to look past the sensation and appreciate the film for what it really has to offer: a convincing contemporary take on Hermann Meville's psychological novel PIERRE, and the way Carax interweaves Melville's structure of 19th-century wealthy elites with harrowing references to contemporary France, Bosnia and the plight of Balkan refugees. The son of a deceased diplomat of some note, Pierre (Guillaume Depardieu) lives in splendor in rural France, in a manor house with his widowed mother (Catherine Deneuve). Things are going well for young Pierre: a novel he has written has become a bestseller and he is engaged to the lovely Lucie (Delphine Chuillot). But then he encounters a mysterious woman named Isabelle (Yekaterina Golubeva) who tells him in broken French that she is his half-sister, born to Pierre's diplomat father and an unknown Balkan woman. Isabelle is in fact less a character and more a spectral presence that haunts Pierre's life. Intrigued by this otherworldly creature, Pierre gives up his privileged existence and enters into a vividly depicted bohemianism that brings about his physical and mental decline. POLA X prefers to tell its story more through visceral images than dialogue. In fact, the dialogue is deliberately stilted, allowing the film to dip in and out of its basis in Melville’s 19th-century novel. So much of the story of Pierre's decline is told through the bucolic idyll of the first half of the film and the brutal squalor he later chooses. This imagery is so strong that even if POLA X feels somewhat too tentative about itself to rank as one of the all-time greatest films, it has haunted this viewer's thoughts since watching it. Another nice touch of POLA X is the close way in which Carax worked with the composer of the film's score Scott Walker, who was then fresh from his acclaimed album TILT. When Pierre leaves home after meeting Isabelle, he enters into a bizarre community of artists in an industrial setting, who seem to be hiding sinister plans behind their avant-garde work. It is here that Walker's score goes from the subdued strings of the first half of the film into brasher, more aggressive sounds. Carax has set things up so this music is both diegetic and non-diegetic, part of the outside narration of Pierre's psychological decline and contemporary political strife as much as the film's action itself.
A strange old woman allows a teenage runaway and a young orphan to stay in an abandoned house that overlooks the sea. However, when a menacing entity threatens their new home, they must band together and face their fears to save it.
Captain Tom Rowland and Commissioner X are sent to Pakistan to destroy the Red Tigers gang, responsible for smuggling drugs from Afghanistan into the United States.
A TV adaptation of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him.
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
British barrister Sydney Carton lives an insubstantial and unhappy life. He falls under the spell of Lucie Manette, but Lucie marries Charles Darnay. When Darnay goes to Paris to rescue an imprisoned family retainer, he becomes entangled in the snares of the brutal French Revolution and is himself jailed and condemned to the guillotine. But Sydney Carton, in love with a woman he cannot have, comes up with a daring plan to save her husband.
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
World War I has left golfer Rannulph Junuh a poker-playing alcoholic, his perfect swing gone. Now, however, he needs to get it back to play in a tournament to save the financially ravaged golf course of a long-ago sweetheart. Help arrives in the form of mysterious caddy Bagger Vance.
Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.