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If you are looking for a good thriller, with minimal special effects that calls upon the skills of the filmmaker and cast to make you feel the moment, this is a must see. Southbound, created by the independent group radio silence take the genres of thriller and horror to a new level, intertwining five stories that will have you turning on the lights and questioning the sanity of the cast. All five sequences take place in a nondescript desert town and call upon one's own fear to set the scene. As the story progresses, you see how each story leads into the next with connections that are tangential yet produce the notion that the setting for the stories is the source of danger rather than individual and unique experiences of each player. To this effect, the filmmakers do a superb job of capturing the essence of fear as you follow the lives of the players from story to story as the flow one into the next in an semi-seamless flow that keep the movie going. Of particular joy to this reviewer is, as one would assume (at least this viewer), are minimal special effects. The ones that do exist feel so real that you do not realize that they are there without reflection (or rewinding). The acting, while not Oscar worthy, is well done. You can feel the fear and terror in their dialogue, their actions as they venture through the tale. Shockingly, gratuitous nudity that is usually prevalent in the horror genre is missing or at least so minimal I do not recall a single scene. There are plenty of moments that will stay with you and are sure to be topics around the water cooler. The 'frights' are memorable enough to make this production worth watching. The filmmakers remind this reviewer of early thriller producer/director M. Night Shyamalan works with their own twist on storytelling. I recommend renting this feature as it s a must see with potential to be a cult classic in years to come.
Modern Day Southern Gothic Highway-Based is a very specific theme for a Horror Anthology to tackle, and while none of the segments are bad, none of them stand out as particularly good either. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**The neverending tale(s)!** Five tales, written and directed by four directors. It was a horror anthology that takes place in just one day and night. Firstly, this film was not bad as it looks. Each tale and its interlocking with one another was very nicely done. The layers are not arranged in a column or a row or a circle. It was just like what you see on the poster, a star. Especially one character from each tale, how they become a victim in another was the highlight. The genre mixing was so good, I mean it was not out and out a horror. Mystery, thriller, crime, all was put together and presented smartly on the screen, particularly the loop was very fascinating. I have seen some similar kind, but this one was slightly different from those and a better one in some way. Not all the tales were awesome, though there's nothing wrong with them. For every 15 minutes, it keeps developing without giving rest to us and events in the film. So it was a non-stop entertainment, particularly if you like horror, thriller. If you pay close attention, you could find more hidden meanings or messages. So this film can be watched once, but not everyone going to enjoy it. Especially if you are okay with B movie, then there's nothing stops you. _6/10_
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Several short animated mini-stories based on the short stories and four-panel manga of Keiko Fukuyama, including My Father the Mouse, The Rabbit Brothers, Summer Secret, The Mysterious Fairy, How Very Strange, and Kuro.
Taking place in real time, elementary school teacher Emily organizes a mixer of like-minded women, but an altercation between a woman from Emily’s past and the group leads to a volatile chain of events.
After a failed Interpol operation, Tom Fährmann, human rights activist and escape agent, is tasked with finding Sofia Moreno, a whistleblower who has disappeared in Lisbon, and bringing her to a safe house on the Portuguese coast. When Fährmann realizes that Sofia's eight-year-old son Noa is in the hands of a hacker organization that the programmer wanted to fight with her filter program against fake news, his assignment turns into a rescue mission in which Fährmann can no longer trust anyone.
Tiaga tells the story of a poor old woman, played by Isabel de Castro, to whom a good wizard offers the gift of youth to reward the help she provided him. A version of “Faust” seen through the female eye and featuring some unusual moments, such as a shot of a black goat while José Afonso sings, as well as nightmare sequences in which Tiaga is chased by the devil.
When a neurotic private eye who struggles to finish the case takes a train voyage, his own dark secrets begin to reveal themselves.
A team of astronauts on the first mission to Mars crashes onto the surface, losing contact with Earth. With no other recourse, and help millions of miles away, the crew is forced to make desperate choices in order to stay alive. Will they be able to survive as the minutes slip away?
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
In a temper, Meg, a cynical, overworked TV executive, rants about how the movies she produces lie, making you think dreams can come true, and tries to smash her favorite snow globe. Instead, it hits her on the head and knocks her out. When she comes to, she finds herself magically transported to a perfect snow-covered town like the one in her globe, married to a handsome woodworker and mother to two young children.
A wealthy high powered woman suffers a horrible tragedy after which she descends into substance abuse,turning her back on her family. She later discovers that someone close to her may be behind her subsequent abduction and kidnapping.