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Balamos, Stavros Tornes, 1982 Here is a curious film, suggested to me as a 'gentler El Topo' and one that I watched two times back to back to fully absorb. This is an expansive story, in some manner the precursor of Cloud Atlas, and definitely it has elements common to El Topo. The film also has its own charm, the extremely personal way the film is shot and how the landscapes become an entity with the movie. The latter is achieved by strange way, he shoots both day and night as naturally close as possible. There are phases of darkness with only the moon and ambient noise, and nature becomes a breathing part of our protagonist's journey towards Olympus. The film has its foundations in the very same idea Inception is based on, but its used here with different connotations, very philosophical I believe. Our man wants to buy a horse, probably in reality probably not, and in his journey to do that he indulges into dreams that take him through his own past lives. He pictures himself as a slave in the middle ages, around Christ's resurrection, making his journey towards Olympus. The horse remains a recurrent motif throughout and somewhat elusive to our character. But this film is not much about the story as it is about symbolism and that is where similarities to El Topo come in. This is a quest of a man for the final truth, much like the Mahaprasthan undertaken by the Pandavas in Mahabharata, only that it remains ever elusive. The film is shot in low light and sub-par production values but it is transcendental in its core belief and sometimes stimulating, sometimes not. At places I found it to be a bit opaque and the story is easy to miss if you're not attentive because its really buried under the symbolic narrative, but the film does have some great moments of eternal truth. And through mostly simple, sometimes unreadable imagery. Probably I did not pick up all the Biblical references but the usage of the horse as a symbol of an illusive object of desire in reality as well as dream world was a very interesting element. I guess this is a movie that is actually 'obscure', considering the two reviews in IMDb are written by people who have put no effort into watching it. These are my thoughts on first sight, but I hope to understand this work better because it's indeed very interesting.
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.
Amidst the chaos of planning his son's birthday, Sandesh's phone, crucial for an investor call, gets accidentally thrown away. In his quest to retrieve it, he discovers unexpected emotional depths.
Struggling if the existence of his love is real or not, Matthew embarks on a train journey to find it. As he travels without a fixed destination and searches for his beloved, he begins to hallucinate between imagination and reality, trying to realize which is which. Was it true love or just metaphysical?
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.
A falsely accused nobleman survives years of slavery to take vengeance on his best friend who betrayed him.
While their village is threatened to be demolished once again by the Israeli army, Khaled and his best friend Nema the goat undertake to help Abu Mariam to recover his memory
Life for a happy couple is turned upside down after their young son dies in an accident.
After the death of Emperor Constantine in Rome, the persecutions of the Christians threaten the centurion Marco forced to become a gladiator.
After Pompey's defeat at the Battle of Farsalia, Julius Caesar becomes the beacon of the Roman Republic and the master of its destiny; but many patricians want to avoid the birth of a tyranny and plot to assassinate him…
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
