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The One Show - (Mar 29th)
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Gogglebox - (Mar 28th)
I must say that it was quite good. I was worried that, as a fan of the original TV-series when I was a kid, I would be disappointed but it had actually captured the spirit of the series quite well. It was fun to watch, with a nice blend of comedy and action. Okay, the famous tank scene was perhaps a bit over the top but, what the hell, it’s supposed to be an action film with a touch of comedy so...Naturally the so-called "critics" wrote it down, for instance on Rotten Tomatoes, but if you switch to the tab which shows what the actual audience said, it got a greater than 70% approval rating. IMDB also gives it a bit more than 7 stars out of 10 which I would say it’s well worth.
I never watched the original TV series, beyond a vague awareness of Mr. T I knew literally nothing about it. Which meant that I couldn't feel like this reboot was letting me down, but I also was in no way ingratiated with the franchise. Seemed like the positives and negatives of going in blind like that sort of cancelled each other out, and that's pretty much the attitude I've got to the movie itself. There was cool stuff, there was some lame stuff, and all in all they levelled themselves out for a pretty average movie-watching experience. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The A-Team (2010) felt like a chaotic attempt to modernize the classic show, but it never really stuck the landing. The directing leans hard into the over-the-top action vibe, but instead of giving us slick sequences, it delivers a messy blur of noise and explosions. The pacing is all over the place, and it’s clear they were trying to make it cool and energetic, but it just ends up feeling loud and confusing. There’s no real rhythm to the way scenes unfold, and some of the more intense moments lose their impact because they’re drowned in shaky visuals. Speaking of visuals, the cinematography was frustrating at best. Way too much shaky cam, weird half-face angles, and quick cuts that make it hard to enjoy any of the action. It felt like the camera was constantly moving just for the sake of movement, not to actually enhance the scene. That kind of editing usually screams, “we didn’t have great footage to work with,” and unfortunately, it shows. I found myself trying to follow what was happening rather than getting pulled into the story. It’s one of those movies that mistakes chaos for excitement. The cast is actually solid, with Liam Neeson bringing his usual presence and Bradley Cooper doing his thing, but the script gives them very little to work with. The dialogue feels forced, and the characters never really breathe or evolve. It’s like the movie assumed the audience already loved these guys, so it skipped over giving them depth. The score tries to hype things up, and while I did get a flash of Indiana Jones vibes early on, I realized it was just a modern remix of the original A-Team theme. Nostalgic, sure, but it didn’t save the mess. Overall, it's got energy, but not much substance.
FBI agent Neville Flynn boards a flight from Honolulu, Hawaii to Los Angeles, escorting a key witness to testify against a mob boss at an upcoming trial. An on-board assassin releases a crate full of hundreds of deadly venomous snakes in an attempt to eliminate the witness. Flynn and a host of frightened passengers and crew must band together to survive the slithery threat.
Vincent's life is on hold until he finds his wife's killer. Alice, his neighbor, is convinced she can make him happy. She decides to invent a culprit, so that Vincent can find revenge and leave the past behind. But there is no ideal culprit and no perfect crime.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
After her fiancee admits to infidelity while on a business trip in France, a woman attempts to get her lover back and marry him by traveling to Paris despite her crippling fear of flying. On the way she unwittingly smuggles something of value that has a charming crook chasing her across France as she chases after her future husband.
Four adopted brothers return to their Detroit hometown when their mother is murdered and vow to exact revenge on the killers.
Times are changing for Manny the moody mammoth, Sid the motor mouthed sloth and Diego the crafty saber-toothed tiger. Life heats up for our heroes when they meet some new and none-too-friendly neighbors – the mighty dinosaurs.
Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.
Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner and Murphy are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker, an eccentric FBI agent, is fast closing in on their blood-soaked trail.
Navy SEAL Lieutenant A.K. Waters and his elite squadron of tactical specialists are forced to choose between their duty and their humanity, between following orders by ignoring the conflict that surrounds them, or finding the courage to follow their conscience and protect a group of innocent refugees. When the democratic government of Nigeria collapses and the country is taken over by a ruthless military dictator, Waters, a fiercely loyal and hardened veteran is dispatched on a routine mission to retrieve a Doctors Without Borders physician.
The gang that created Airplane and The Naked Gun sets its sights on Top Gun in this often hilarious spoof starring Charlie Sheen, who previously only inspired laughs with his personal life. He plays Topper Harley, a fighter pilot with an axe to grind: clearing the family name. He gets involved in a relationship with Valerie Golino, a woman with an unusually talented stomach. But his mission is to avenge his father. Lloyd Bridges, late in his career, revealed an aptitude for this kind of silliness, here as a commander who is both incredibly dim and delightfully accident prone. Directed by Jim Abrahams, the film makes fun of a variety of other films as well, from Dances with Wolves to The Fabulous Baker Boys. It was so successful that they all returned in the sequel, Hot Shots! Part Deux.