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I cannot say that I am an outright fan of old era British crime stories but I do fancy them now and then. This one is a rather dark, grim and gloomy story perfectly suitable as a evening movie at this time of the year when darkness already starts to come quickly and matches the candlelight mood of Victorian London. I found this a quite nice movie. Well up to its very end which I have to admit is way too tragic for my taste. The voyage to the end was well worth watching though. The dark scenery is very well done. Beautiful and depressing at the same time. It is yet another Jack the Ripper based story and it is pretty much pure fiction loosely based on the character of Jack the Ripper. It is a good and well implemented story though and it was enjoyable to follow Inspector Abelard unravel to true reason behind the murders. As far as I am concerned the acting was without any major faults and generally of high standard although it is perhaps a bit sad that Johnny Depp again proves that he plays best in roles that portrays a more or less crazy, even insane, character. The movie is not as gory as one perhaps and it certainly would not classify as a horror movie. Most of the violence is hidden from the viewer although there are a couple of scenes which are a wee bit “splattery” but only if you really have a weak stomach for these things and if you do perhaps you should not watch serial killer movies in the first place. The ending took a star or two off this movies rating but otherwise it was surprisingly enjoyable.
I went into this having only seen 'The Book of Eli' by these directors, The Hughes Brothers. I quite liked that film, although I did feel their vivacious stylizations interfered with the telling of the story. Seeing this earlier film of theirs confirmed that suspicion, though it's still a fine film. Though Johnny Depp (the brothers' 5th choice for the lead) does a fine job as the film's protagonist (I haven't read Alan Moore's graphic novel yet, so I can't say how this filmic adaptation compares), it certainly would have been interesting to see how any of their previous choices would have done (in order of their preference): Daniel Day-Lewis, Sean Connery, Jude Law and Brad Pitt (but especially either of the first two). It has a fine supporting cast, is beautiful to look at and is consistently intriguing. I especially liked Heather Graham (I think this is solidly amongst her best work), Ian Holm, Robbie Coltrane and, most significantly, Katlin Cartlidge. Boy, do I ever miss her in films made ever since.
From Alan Moore, the Hughes brothers and Johnny Depp RELEASED IN 2001 and directed by the Hughes brothers, "From Hell" details the Jack the Ripper slayings in the slummy Whitechapel district of London in autumn, 1888. Johnny Depp plays an opium-addicted detective while Robbie Coltrane appears as his colleague. Heather Graham is on hand as a prostitute that captures the Detective’s interest. The film was based on Alan Moore’s graphic novel of the same name. Moore condemned the change of his "gruff" version of Frederick Abberline with an "absinthe-swilling dandy,” referring to the protagonist played by Depp. In real life, there’s no evidence that Abberline “chased the dragon” or that he had “psychic visions.” Speaking of real life, Moore’s graphic novel was based in large part on the royal conspiracy theory popularized in Stephen Knight's 1976 book “Jack the Ripper: The Final Solution.” This is one of several theories on the identity of the slayer. True or (probably) not, it makes for a good story. “From Hell” plays like a Hammer film, but with a blockbuster budget in the modern era. A couple of comparable Hammer flicks are “Frankenstein Must Be Destroyed” (1969) and “Taste the Blood of Dracula” (1970). “From Hell” even shares a minor subplot with the latter (high society ‘gentlemen’ in the Victorian era secretly partaking of taboo hedonistic pleasures). Like Hammer’s Gothic horror catalog, you can expect top hats & black coats, cobblestone streets, alluring women, a ghastly killer (or monster) and lush colors. THE MOVIE RUNS 2 hours, 2 minutes and was shot in Prague, Czech Republic, and England (Boscastle & Goldings). GRADE: B
Great watch, would watch again, and can recommend. If you're accepting or even intrigued by the case of Jack the Ripper, then this should be a great murder mystery for you. Johnny Depp, opinions aside, does confused, drug-addicted, and detective all well. Heather Graham is able to emote and elevate her role wonderfully, despite it basically being a damsel role. Almost everyone else is old British guy, and it really feels like the complex mystery and drip-fed information investigation is really what makes the movie stand out. Fortunately, despite the movie still being somewhat gruesome, it's not a complete gore-fest, so there is very little to distract from the investigation aspect of the movie except for a ill-found romantic entanglement.
Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems. Carmen, a beautiful Spanish woman with a tendency to lose her temper at the drop of a hat, is about to be married to Barnaby, a caring, wealthy, but slightly boring Englishman. While out with friends on her 'hen night' she encounters a stranger who suddenly sparks a passion that has been sleeping within her. As her wedding date approaches, she finds herself struggling to put this newcomer out of her mind, but his effect on her keeps growing stronger. What is it that he sees in her, and why does she feel like she's being pushed inevitably into his arms?
In this film Beck and his team are trying to find a serial killer, whose victims are spread all over Sweden. An obvious connection is that all the victims are women, and they were all in the same class, and Beck thinks that a scandal back in the past has something to do with the murders. But no one wants to talk about the past and it becomes a struggle to find the perpetrator before the final murder - only one woman is still alive.
Gunslinger Jonah Hex is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull, a former Confederate officer determined on unleashing hell on earth. Jonah not only secures freedom by accepting this task, he also gets revenge on the man who slayed his wife and child.
An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.