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Hollywood Squares - (Feb 27th)
Tipping Point - (Feb 27th)
The Challenge- All Stars - (Feb 27th)
All Elite Wrestling- Dynamite - (Feb 27th)
NOVA - (Feb 27th)
Secrets of the Dead - (Feb 27th)
The Last Word with Lawrence ODonnell - (Feb 27th)
Expedition Bigfoot - (Feb 27th)
The Kardashians - (Feb 27th)
School Spirits - (Feb 27th)
All In with Chris Hayes - (Feb 27th)
The Rachel Maddow Show - (Feb 27th)
Guys Grocery Games - (Feb 27th)
Izzy Does It - (Feb 27th)
My 600-lb Life- Where Are They Now - (Feb 27th)
Chicago P.D. - (Feb 27th)
Chicago Fire - (Feb 27th)
Murder Under the Friday Night Lights - (Feb 27th)
Expedition X - (Feb 27th)
Roadworthy Rescues - (Feb 27th)
Pierre is a clumsy, overly serious math teacher at an all-girls high school. His life is thrown into chaos after encountering a beautiful British actress and the paparazzi that follow her around.
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…
Is. This. My. Son? No matter how often Tobias Wilke poses this question, there's always only one answer: Yes! Tobias, can't believe his eyes when he comes to the airport to pick up his 17-year-old son Finn – and learns that Finn is now calling herself Helen and wearing girls' clothes. Finn/Helen reveals that she's always was a girl, and that she used her year abroad in San Francisco to pass the "everyday life" test. This is required by law for everyone preparing for the sex reassignment surgery they will undergo upon reaching majority. Reactions from Helen's friends, acquaintances and schoolmates cover the entire gamut from derision to solidarity. Especially Helen's father, a well-known chef, finds it difficult to accept a situation he cannot understand. But Helen nearly always finds the right words - and humor - to counterbalance the ignorance and jeers of those around her. It is the beginning of a long, winding road towards the sexual identity she is convinced is hers.
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.
Cruze arrives in town and when he stands up to the three Moran brothers, he gets appointed Marshal. First the brothers kill a rancher while framing another man. But when the jailer is murdered, Cruze gets evidence the Morans did it. He tries to raise a posse to chase them down but the townsmen refuse to go. So he rides off by himself to face the three of them.
This documentary traces the history of the B-Western from it's silent movie origins to its demise in the early 1950s. The film contains a large number of scenes from early silents and seldom seen films, as well as old photographs of the stars and one-sheet advertisements for lost films.
Mac is at the threshold of losing everything while directing his feature film.
Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?
First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)
Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)