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Cruze Missile and the Three of Spades. The Lone Gun is directed by Ray Nazarro and written by Don Martin, Richard Schayer and L. L. Freeman. It stars George Montgomery, Dorothy Malone, Neville Brand, Frank Faylen, Skip Homeier, Robert Wilke, Douglas Kennedy and Fay Roope. Music is by Irving Getz and cinematography by Lester White (color by Color Corporation of America). "The history of any frontier region . . . such as the great expanses of the new State of Texas . . . offered many examples of the strange way in which a few men of great evil could dominate whole communities of well meaning, but passive citizens... ...And examples, too, of men who rode out alone for law and order, with badges on their vests and handcuffs in their pockets . . . playing a lone gun against great odds" It is pretty much as one would expect for a 50s "B" Western, there's nothing remotely new here, it's a good old honest Oater where a good man takes up a law badge in a town that doesn't deserve him, he takes on the bad guys and there's a pretty lady on his mind. Cue fisticuffs and shootings (including a particularly cold blooded murder), some nifty ambush sequences, a tension packed poker game and some neat dialogue - "one yell and you'll be waking up in a devil's cookhouse". Cast are fine, with Montgomery doing his usual reliable and likable guy act, Brand doing another in his line of scumbags - backed by Kennedy and Wilke, and even though she's saddled with the token lady role that's sparsely written, Malone leaves a nice impression regardless. Bonus is Faylen, who as card conman Fairweather, shines in a cheeky chappie role, with quips and a glint in his eye even when he's in danger, Faylen enjoys himself in creating this fun character. Some good stunt work rounds it out as a safe and enjoyable Oater for fans of such. 6.5/10 Tidbib: Bizarrely the end credits have Wilke and Kennedy listed as playing each others roles?!
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.
In the old west, a man becomes a Sheriff just for the pay, figuring he can decamp if things get tough.
Lyle Swann is a successful off-road racer who mistakenly gets sent back in time 100 years. When a band of outlaws robs Swann of his motorcycle, he's forced to outfox the gangsters and give in to the seductions of a gorgeous local lady. With only his smarts and a map from an Exxon station, Lyle must try to make it out of the Old West alive and find a way back to modern times.
Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.
A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in search of someone to stop a malevolent bandit.
In a small town in the Far-West, the Good and the Bad challenge each other to a show-down. The Undertaker takes some interest in the show-down between the opponents, and the story takes a classic turn of events.
John Travers and Yak, his faithful Indian sidekick, pick up where a murdered sheriff leaves off, and try to nab the mysterious Shadow.
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.
In this biopic, Jim Bowie goes to New Orleans, where he falls for Judalon and befriends her brother, Narcisse. Soon, Jim is forced to avenge Narcisse's murder, but Judalon takes up with another man. Jim eventually has another romantic interlude with Judalon and is forced to kill one of her suitors in self-defense. Jim leaves town, and falls for the daughter of a Texas politician, but his entanglement with Judalon continues to bedevil him.
