War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
**Dreaming's easy, but chasing it needs all the effort.** Well, I praise a lot, particularly the European animations for preserving the 2D animation. That does not mean they lack behind in 3D format. The recent film 'The Little Prince' was the perfect example of a quality 3D animation outside Hollywood. Pars with Disney, Pixar standards. Technically, as well as the story contents. But the quantities are very less and also making it a bit expensive. So they usually prefer producing it in the English language for the wider/international market, keeping North America particularly in mind. This is a French English-language film that co-produced by Canada. This is a nice film, that particularly targets little kids and mostly the girl audience to inspire Ballerina. Cute characters and scenes, but very familiar story. Shares lots of similarities with 'August Rush', except the field of interest. I am not an expert or know all about Ballet, but some of the parts involving them were turned me off. I know the gravitation force is irrelevant in animation since they're not real world to comply with science, but maybe I'm being an adult and knowing that stuff might have influenced me to think that way. It reminds me I'm really an adult, though this film should be watched as a kid despite whatever you are. However, nothing affected me from enjoying it. It sets in the 80s of the 19th century France. At the time when Eiffel Tower and Statue of Libery were on the construction, a poor orphan girl named Felicie escapes orphanage with another boy to pursue her dream to be a ballerina. Then they arrive in Paris, and very soon they find their separate ways to achieve the goals. Not all smooth sail, especially for her. So she takes the opportunity that comes her way, even after knowing it was wrong to do. > ❝You have something that she can only dream of: passion!❞ From there, with all the complications tailing her, how far she could go to make her dream come true. Which also includes the amount of dedication put on her undertaking to meet the expectations of her trainer, rivals and many others. And to show the world the interest is not simply based on enthusiasm, but willingness to sacrifice anything for it. Her journey from nothing to the edge of something new to define her life is the film that briefs for just short of 90 minutes. This is not another 'Billy Elliot'. Animations are usually comedy, fantasy and musical, but recently the adventures and science fictions are surging. I don't remember I ever have seen an animated dance flick. Not the classical dance, not in the modern 3D animation format. The closest one was a decade old 'Happy Feet'. So that makes it is a unique product and comes under a must see for all the animation fans. But the storyline is predictable and many sequences were intentionally dragged to be cliché. Because it works, particularly if they're aiming for the younger generation who haven't seen many films in their lives. Only we the grownups whine. Most of the voice-over artists are well known Americans actors which boosted the film. The character combinations are good. It brought the variety, especially slightly to ride off the main theme in a few occasions. Like the boy's interest in inventing things which were other major parts of the twist and turns in the narration. It is not a great animation if it was from Hollywood, but coming from France and the theme it focused on, the effort must be appreciated. Overall a much better film than what the average reviews and ratings around the internet says. It is a ballet film means not those who love it should watch it, but those target audience should not miss it. That means generally worth a watch, but not for everyone. _7/10_
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Two Hobbits struggle to destroy the Ring in Mount Doom while their friends desperately fight evil Lord Sauron's forces in a final battle.
When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.