La orilla de la tierra

Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.

Fernando and Gabriel are two brothers living in a broken home. The anger and sadness that fill the house forces them to escape for a weekend into the woods. Gabriel will witness his eldest brother's self-destruction.

Ana, a fifty years old woman falls into a depression when her husband leaves her. One day she decides to go out of this depression and starts changes from the outside to the inside. With the wakeness of desire she starts a process in wich she rediscovers her new sexuality.

Francisco, a man with autism resides secluded, ignored and locked away. He's a burden on his brothers, and decides to flee into the forest, where he befriends a rat.

Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.

Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.

The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Five children are isolated with their father on a lonely beach after the death of their mother. As the days go by, the children start torturing their father.

A wife walks out on her husband. While he waits for her to return, the husband watches television, drives aimlessly around the city and writes letters to her. He meets her at a bar and gives her the letters in the hope that she will read them and come back to him. After a few days the wife returns. The man goes back to the bar and finds that his wife had left the letters there.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.