El violín

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

In a small town where nothing ever happens, the inhabitants learn about a place at the edge of the earth where money and women are abundant. When they see the oportunity to go and work illegaly in the United States, they jump at the chance. Meanwhile Andrés and Gregorio go to the town searching for treasures and they only find Matilde, the rest of the women in the town left, tired of waiting for the men to return.

The way three different generations of women view virginity and the mystery that a love story hides.

The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.

A family on the brink of a break up: dad is about to throw out mom because of her gambling addiction, the oldest boy's girlfriend is about to leave him because of his epilepsy and the youngest child thinks he has the perfect plan to bring the family back together again.

Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.

Dishevelled private eye Nico Beamonte's latest case comes from God himself ... possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style - as if film noir had collided with props left over from a Ray Harryhausen film.

Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.

This is Arturo's tale, a coming of age story about a boy who tries to find and accept his sexual identity. It takes place in a small town in the state of Zacatecas during the 90's, and explores the stigma the homosexual community lived during the HIV crisis.