Princess Halle and the Jester 2024 - Movies (Dec 1st)
Route 60 The Biblical Highway 2023 - Movies (Dec 1st)
Believe in Christmas 2024 - Movies (Dec 1st)
Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
The Rev 2023 - Movies (Nov 30th)
Malum 2023 - Movies (Nov 30th)
Home Kills 2023 - Movies (Nov 30th)
Deck the Walls 2024 - Movies (Nov 30th)
A 90s Christmas 2024 - Movies (Nov 30th)
Secret Lives of Orangutans 2024 - Movies (Nov 29th)
The Late Late Show - (Dec 1st)
Invincible Fight Girl - (Dec 1st)
Motorway- Hell On The Highway - (Dec 1st)
The Beat with Ari Melber - (Dec 1st)
The Sunday Show with Jonathan Capehart - (Dec 1st)
Dispatches - (Dec 1st)
Cooking Buddies - (Dec 1st)
Wolf Hall - (Dec 1st)
48 Hours - (Dec 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
**Not far from losing the birthplace of human civilisation.** Not everybody's pick of the year. Everybody does not know this film even exist. This is the director's ambitious project, to depict on the screen the world he had come from. So it is much an awareness film about struggling rural society. Usually critics favour this kind of film. But not to be watched for the entertainment purpose. Surely you will be bored to death. This is a challenging film to watch that tests your patience. Even I had a slight trouble finish watching it, but at the end I'm satisfied for it is what it is. Average film's runtime, so if you have been focused since the beginning, particularly without any interference, then that's good. You will get the characters and their condition, which is most important in this film. There's no complication to understand it. It is a simple story, but very realistic portrayal like a documentary film without any background commentary. Centres on the falling rural economy and how people are coping with it. I think this is a very essential film for todays people from big cities to understand the situation of the other side of the human civilisation. The film does not focus on entire village, but follows a small family. It is a place where they all depended on the sugar cane that grown in the field. And it is about a harvest season, everybody's working hard, but not paid enough for their effort. A man who had left the place and family behind a long ago returns. The purpose of the visit is his son who is very sick. So from his perspective the film reveals why he had left the place and the trouble the villagers facing, economically as well as environmentally. > ❝I couldn't stay here and see all of this disappear before my very eyes.❞ The message was loud and clear. The film does not simply shows sympathy, but falling apart countryside due to multiple issues including poverty and pollution. There's no separately layered narration to highlight them, but the family this story is based on revolves around most of those matters. I would say, it was a good writing, keeping in order and going after big topic. The director did a wonderful job. I would also say watching a film like this is definitely not a waste of time. But how far it reaches and people come to realise will be a big question. Because such small films are easily ignored globally. When we discuss about harming the environment, it is always cities and industries are blamed. But the truth is every corner of the earth where humans have settled down is causing the disruption in the order of nature. This film is one of the good examples of getting rid of cliché in such theme and trying to be honest. The amount of disturbance in nature might be less, but the outcome is the same. I think such film should be recognised in the bigger platforms. This is the age we live in where awareness needed about the awareness films. What we have become. A heartbreaking family tale, as well as their concerned environment, the film covered two topics so brilliantly. Well performed actors and I liked the locations. Even though the places are polluted, especially during the harvest, such quietness is very relaxing. I do remember in my childhood during visiting grandparents in their village, sitting lazily after having a lunch under the shades of a tree on a hot summer day was so cool experience. Now we're losing that, and I think that's the closest what this title means. The final frontier, the edge of world where humans and nature meets. Like I said the film is not for everyone, watching capacity wise, but its concern everybody. If you are okay with slow pace narration, then you should try it. _7/10_
This film is much deeper than it appears to be. On the surface, it looks like a struggling poor family in a rural setting. Look again. On one level it is a family with their own set of relational problems. Like Tolstoy said, "All happy families are alike; each unhappy family is unhappy in its own way." But this particular unhappy family is set against the socio-economic background of an impersonal agri-business. The agri-business, not only complicates their unhappiness, but also, slowly murders it's victims. It is not a huge, impossible leap of imagination to cast this story onto the laborers of Amazon or Uber - workers that slave for hours without bathroom breaks for ultra-rich, off-screen masters. The parallel is painfully present in this film. Never mind the intentional long shots of endless sugar cane fields that destroyed a once present beauty. Never mind the dark lighting of the family that remained. An important trivia here: the English translation of the title is wrong (imho). Sombra also means shadow. This family lives in a shadow. The title should be "Land and Shadow". But the shadow of what? That's what makes this film socially significant.
This film is much deeper than it appears to be. On the surface, it looks like a struggling poor family in a rural setting. Look again. On one level it is a family with their own set of relational problems. Like Tolstoy said, "All happy families are alike; each unhappy family is unhappy in its own way." This particular unhappy family is set against the socio-economic background of an impersonal agri-business. The agri-business, not only complicates their unhappiness, but also, slowly murders it's victims. It is not a huge, impossible leap of imagination to cast this story onto the laborers of Amazon or Uber - workers that slave for hours without bathroom breaks for ultra-rich, off-screen masters. The parallel is painfully present in this film. Never mind the beautiful photography of endless sugar cane fields that destroyed a once present beauty. Never mind the the great character acting. Never mind the dark lighting of the family that remained. An important trivia here: the English translation of the title is wrong (imho). Sombra also means shadow. This family lives in a shadow. The title should be "Land and Shadow". But the shadow of what? That's what makes this film socially significant.
It's every parent's nightmare. Your child needs you and you feel powerless to help. Whether it's that the child needs the necessary medical care, or needs you to protect them. What would you do to help your child?
Tomasz Komenda was 23 years old when his normal life was brutally interrupted. Overnight he was arrested, thrown into prison and charged with murder. Subsequent expert opinions confirmed his participation in the crime, and any evidence was against him. For nearly two decades in prison, he was beaten, intimidated, humiliated and on his own. Finally, after 18 years of imprisonment, prosecutors and a policeman appeared on his way, who decided to discover the truth behind the mysterious case of the detainee.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
The Hartmann family is turned upside down when mother Angelika decides to take in the refugee Diallo, against her husband's will. Amidst the typical chaos of our time, hope remains that the family finds its stability, confidence and peace again - just like the whole country.
After the fall of civilization, man has repeated the same mistakes again and installed a new system of law based on false science and superstitious beliefs. This reaches its climax when it comes to the “Chisa” flower, because anyone who dares to touch it is banished from the village and has to live a life of loneliness and poverty. The most vulnerable to this deviation are children, as their natural curiosity makes them fall prey to temptation.
Elena, a Sicilian mother of three, is murdered by her husband. Her cousin, Roberto decides to take the three orphans into custody. Together with his wife, Anna, he takes charge of the maintenance of the three nephews, who join the other two children of the couple. The adaptation of the three children to the new reality is complex and conflicting. The backlash on the family budget is heavy. Roberto and his wife make do to ensure that the children are supported, trying not to let them know how their mother died.
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.
A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son – two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.
Twenty years after his disappearance and while everyone believes him dead, Jacques returns home incognito under the name Laurent Dupas. He finds his wife Hélène, who has remarried Eric, a bank manager. They all look happy. But behind this idyllic family picture lies a mystery.
Teenage girls suffer from conflicts from their parents' affairs. A baby from the affair is born, and the two families have to accept reality.