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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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Charmingly funny. Not a cliché comedy at all. A little heavy on the Uber references, but still a movie that can be watched multiple times. (Saw at a pre-screening in Seattle.)
A truly funny and immensely heartwarming _While You Were Sleeping_-esque romantic comedy. It's actually not fair to compare this to any other film because the story here is wholly real and not fabricated for the screen. This is Kumail Nanjiani's real life story about how he met his wife and it's incredibly moving. While Kumail and Zoe are both really great, the heart and soul of the movie is Holly Hunter and Ray Romano. They are truly superb and every scene they share with Kumail while Emily is in the coma is spectacular. I would watch this movie from start to finish again right now if I had it in me - it's incredibly taxing as it's an emotional ride; I cried maybe 4 times throughout the movie. It's amazing how reliably brilliant Holly Hunter always is and I hope she garners some awards attention for this performance. It truly moved me. Her delivery of "_Do you mind?_" before she gets into bed with Romano at the end was such a beautiful character moment.
FULL DISCLOSURE: I saw this while I was working my ass off in a foodtruck at an outdoor cinema. I missed whole chunks of it, and it certainly didn't have my full focus. I'll give it a proper chance at a later date, and alongside that, another review. What I did see of _The Big Sick_ certainly held potential for me, I even had one genuine laugh, but American comedies rarely if ever resonate with me. I know this one plays it at a very different angle to your standard Sandler-esque faire, and I appreciate that, but I wasn't brought in enough from what I caught to get on board. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
**Brainwashed!!!** Here's the most overrated film, not just for the year, but forever. The title says it all, a big sick flick. Just remember, it was only based on the real, not a biopic. Because they have changed entire storytelling to cinematic convenient. To fool the people from the actual truth. So the terrorists are shown in a good light. Good humans won't support such barbaric people. It's a shame that American Academy Awards recognised it. Only best thing in the film were the Holly Hunter and Ray Ramona. Even in the real life characters, they were brainwashed, along with Emily. Totally skippable film. Instead, I would strongly suggest to watch 'Punching Henry', 'Obvious Child', 'Sleepwalk with me' and even 'The Vow' or you you could find many more in film database. Don't waste your time with it! _2/10_
Good watch, probably won't watch again, but can recommend if you can handle a medical emergency adventure. If you've seen "A Fault in Our Stars", this has a similar vibe for a lot of it. I'm a fan of Kumail Nanjiani, and I like Emily Gordon more, I'm honestly a little disappointed she didn't star in her own story, but I understand her reasons. Zoe Kazan, Ray Ramono and Holly Hunter are great in this, they all felt very natural. Now, I know Kumail is the lead, and a good portion of the story focuses on family nonsense, but (even though she's in a coma for a lot of it) Emily is equally a star in the story. That's what this is about, because it's (pretty much) a true story of two people coming together to form one life, and it is SO personal....so very personal. I almost think Kumail wanted to make the movie just so he could stop telling the (rather long) story in person, "Just go watch the movie." I know that a lot of it is just truth, but the adaptive writing for this is excellent, the structure keeps a well balanced pace between all the events happening, we have (lots) of loss and (powerful) gains. There is even a good bit of comedy worked into the story, but it is hard to handle the heavy weight of Emily's medical story. It might be affecting more due to the timing of it in my life, but, regardless, it's there. It doesn't make for the most upbeat experience. Emily, obviously, makes a recovery as it happened in real life, and now Kumail has a movie to remind her that he saved her life *eye roll*. The end is very uplifting, and sometimes it is nice to see a piece of history on screen, but do be aware that is what this is, for the most part.
Shaina lives 600 years in the future. War, greed, prejudice, poverty, pollution, violence, loneliness, depression – these are things that she’s read about in history books. When an accident in a physics experiment sends her on a time-travel journey to our times, she assumes that everyone around her is honest, generous and caring, as she recruits the help that she needs to get back home.
The final date from Dara's sell-out 100 date tour of the UK and Ireland. Recorded in front of 2,500 fans at London's Theatre Royal, this show displays the comedian at his quick-thinking best.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
Ryden Malby has a master plan. Graduate college, get a great job, hang out with her best friend and find the perfect guy. But her plan spins hilariously out of control when she’s forced to move back home with her eccentric family.
Wally, a struggling playwright and actor, reluctantly agrees to catch up with his old friend Andre, a theater director who disappeared several years prior in order to travel the world. Meeting at a posh Manhattan restaurant, the two share life stories, anecdotes and philosophical musings over the course of an evening meal.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother-in-law is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.
In the underworld of Manhattan, a woman dares to stand up to one of the city's most powerful gangsters.
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
Luis Raúl takes over the arena stage for his final stand-up show, recorded live at Puerto Rico's renowned José Miguel Agrelot Coliseum in San Juan on September 14, 2013. Many jokes include being the first stand-up comedian to perform at the venue and his comparative to other artist's demands when visiting a venue opposed to his demands, to the importance of one's eyes (theme of the show), traditional Puerto Rican remedies, his own mother, television infomercials, marijuana, his fiscal problems with past-due back taxes, and, of course, sex. Marking his last unplanned curtain call in his career, "Qué OJOnes" ("What BIG EYEs!") was brought to the big screen as an posthumous homage to one of Luis Raúl's final wishes before his death.