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> Some teachers inspire outside their class as well. Once I was in love with the Hong Kong films, it is my favourite Asian film industry after the Japanese, but I haven't seen any recently. Somewhere on the web I caught this film poster and I followed it to the movie database. After learnt about it I have had the urge to watch it. The most of the Louis Koo's films I saw were either action or thriller, and it is neither, as well as he's in a small role, a supporting one. It was based on the true story that centres a kindergarten in the rural Hong Kong. The school with a long history is now facing a threat of close down due to just five students with no teachers. All the kids hail from the poor families. After knowing this from the television a former elite headmistress Lui, who is now recovering from the surgery decides to put a hold on world tour with her hubby to take the position that offers a very low pay. So the remaining is the story that tells her effort to make the school to stand on its own, but whether it happen or not is what brings the end. I did not know it was a melodrama, but it was not that kind of deep sentimental film that makes you weep like your dog just died. The narration was so smooth, from the introduction of the main characters to the development to the conclusion. From all, the surprise came from the children's performances. What, they all definitely are under five years, but stunning display. And their lines were like the matured adults, which is what kind of defines it a movie, otherwise no doubt that its an inspiring drama. > "I afraid they'd fight when I'm gone. > They may kill each other and I won't see them again. > Then I'll be all alone. I'll miss them." It was not all about the school, but about the personal lives as well those who comes in the main narration. While the Lui's attempt to provide everything in her capacity, reveals by focusing why those five kids' family is unable to send to another kindergarten. Like a movie with the multiple layers, but only after the first half where it takes the stretch. It is a good family movie, well received by the audience as well as by the critics and saw a domestic box office success. The highest grossed local movie in that year. Definitely it won't give you the impression of the freshness in the concept. You might have seen the similar flicks in other languages, but the point is to publicise the event that occurred on the other continent with the different characters and the different kind of struggle with the backdrop of the different society and its culture. If it was not a biography, then I don't know how much the original story was altered for cinematic version. All the three acts' were in the perfect order. I love tearjerker films, but sadly I did not wet my eyes for this and I won't expect the same from you. A movie to feel its depth through your heart. So I had a good time with it, I began my 2016 with this one and I hope you too get what you're looking for from this. 7.5/10
Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.
When wistful introvert Alan Furnace meets quick-witted bombshell Beatrice, he has no idea of her secret life as "B. Monkey" - the top thief-for-hire in London's criminal underworld. Charmed by Furnace's innocent and chivalrous ways, Beatrice resolves to reform. But to cash in on her first chance at real love, she must escape her former partner in crime, the ruthless Paul Neville - and a dark past that seems to haunt her every step.
In the 1970's a young idealistic teacher arrives in a remote impoverished North East Issan village to teach in a school. He must first reform the womanizing, gambling addicted, wife beating headmaster. He helps poor families get school uniforms and books for their children.
Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
