When We Ruled H-Town

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah

Satan Panonski, born Ivica Čuljak in 1960, was a Croatian punk musician, poet, artist and freak performer. We get to follow his performance at the Studentski Kulturni Centar, Novi Sad, visit the cult station of Radio B92, a conversation at the apartment and finally the never presented staff from the Popovača Hospital. In 1991, Čuljak joined the Croatian army in the Croatian War of Independence. He died in 1992 while still a Croatian soldier. The cause of his death is unknown. It is rumored that he died after slipping and accidentally discharging the gun he was carrying.

A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

A documentary that explores the challenges that a life in music can bring.

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.