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Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
The One Show - (Jan 30th)
The ReidOut with Joy Reid - (Jan 30th)
All In with Chris Hayes - (Jan 30th)
Murder Under the Friday Night Lights - (Jan 30th)
Jan Paul Beahm (September 26, 1958 - December 6, 1980) Who? Well quite, and that may well be the problem for any casual movie fan who happens to like musical bio-pictures. Jan Paul Beahm during his short run for fame was better known as Darby Crash, lead singer and founding member of Los Angeles punk band The Germs. Firmly picking up on the punk ethic for doing it yourself, Crash and his band made waves across L.A. for a short period of time. Much like The Sex Pistols back in the UK, The Germs were blighted by being unable to play venues as their reputation preceded them. With Crash growing ever more erratic as he tried to execute the various strands of his so called 5 year plan, those around him invariably suffered. Here director Rodger Grossman attempts to tell the "true" story of the life and death of an enigmatic young man on a "crash" course to oblivion. With low production values and a choppy attempt at being a semi rockumentary, What We Do Is secret is really only of interest to fans of the band or those wishing to bone up on American punk rock circa 1976-1980. Even tho myself, an ageing old British punker, quite liked The Germs, this film only exists because of two major factors. For the facts are that outside of L.A. they were hardly known at the time. It's only because of Crash's subsequent suicide at a young age {on the day John Lennon was shot and killed} and guitarist Pat Smear's future involvement with Nirvana and the Foo Fighters, that the band have had a reappraisal. With minimal input cut onto disc, one has to wonder if someone is trying to build up a legend that doesn't actually exist? What can be said with confidence is that the film at least brings the L.A. punk scene to notice. With all the historical talk about the New York punk scene that was born out of CBGB'S and Max's Kansas City, it often gets forgotten that L.A. had its moments too. The cast here are pretty much the run of the mill performers one expects from such a production. Ranging from adequate (Shane West as Crash) to very decent (Rick Gonzalez of Coach Carter fame as Smear), Grossman's film will not be remembered for any great thesping. And since Crash is not very likable, or engaging on an intellectual level, the finale is unlikely to strike you with a sadness born out of the waste of a young life. However, the soundtrack crackles with punk vibrancy and emotive potency, and definitely some of the concert sequences have the look and feel of the original punk rock era. But ultimately the piece remains only worth an interest to an undemanding and small selection of music fans. Oh and 70s fashion guru's as well one thinks. 6/10
Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.
After the sudden death of her mother, Aurore Gagnon is abused by her disturbed step-mother as her town remains in the silence followed by her death. Based on a true story.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
A veterinarian who can communicate with animals travels abroad to search for a giant sea snail.
The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
Inspired by the music and life of Robert Wyatt, “Rock Bottom” is a self-destructive love story between Bob and Alif, a young couple of artists immersed in the creative whirlwind of the early 70s hippie culture. Drugs will turn a passionate summer into a nightmare in a journey through the themes of Wyatt’s music: the euphoria and anguish of artistic creation, the unconscious fascination with drugs, the disenchantment with routine and physical and mental degradation.
The story takes place in the Belgrade mental hospital on Guberevac during the WWI, where notable Serbian writer Petar Kočić spends his last years of life. The safety of mental hospital in a war-torn Belgrade is disrupted when the deputy military governor in occupied Belgrade, Kosta Herman, finds out that Kočić is in the hospital and decides to settle old scores with him.