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**A tale of the modern day job hunt.** French films are the second most I watched apart from the English language films. It's mainly because of the quality of their products. They won't put big sum on some superhero film like the Hollywood, they give preference to storytelling and the characters which I love even in a slow pace narration. Anyway, you would be tired of listening to what I'm going to say that I always love French and Japanese films, mostly the drama films. This is the latest one I saw that I did not think of giving it a try after the average reception, but once I watched I realised how much underrated the film was. This is like another 'Two Days, One Night', but a bit touch of 'The Pursuit of Happiness' with the limited sentiments. There's no comparison with any other titles, except the similarity in themes. You can call it a docudrama, because it was very realistic that you won't feel like you are watching a film. Especially not for an entertainment purpose. If you are so, then stop there and try other flick. This could resemble your life, at least some way if you ever struggled to get an employment after getting released from the previous job. I am not talking about the freshers or the youngsters, but in between the jobs, mostly the middle-aged and less qualified men's perspective. The modern world belongs to the young blood. Being somewhat old and not skilled with today's technologies is a big excuse to exclude from the employment world. That leaves to get one from the smaller wages. Such film is this one which focused on the man called Thierry who was looking for any job for the last two years. His family is small with a wife and a handicapped son. Financially struggling Thierry decides to get a loan from the bank and try to sell his mobile home to meet the expenses. Finally, he ends up in a supermarket as a security guard and follows his new way of struggle against the reality of the world where crime and compassion overlap. > "A shoplifter has no age or colour. Everybody is a potential shoplifter." I was desperately looking for some entertainment to relax after the tired day. I jumped on this, and initially it took time to launch into the main storyline. It begins with Thierry having conversation with his old colleagues about the options and if there is any legal solution for his old job. This is the film where pictures, as well as lines carefully watched and listened respectively to understand the intention of such film to be exist. The every word spoken in the film were not like any other films, but it was like real life dialogues between two or more people that we the audience listening them from somewhere around the corner. That's why I compared it with documentary. This is the third film for Vincent Lindon with the director and the best one. The last time I saw him was in the 'Bastards' that I did not like. Surely the best of him after 'Welcome'. He won a few best actor awards for his role in this film, including one at the 2015 Cannes. The film was all about him. He as Theirry was the soul of the film. People start to recognise the actors since they saw them in one of their best performances and now I for Vincent Lindon through this film. Obviously very slow at the beginning, but once you start to feel you know enough about Thierry, it gets more interesting. Particularly the final act was impressive. It points out how narrowly our society was built where you can't escape the disappointment if you are a sensitive person about the actions that entirely depends on the situation whether its good (empathy) or bad (crime). This film is everything. You can call it a self-discovery or truth finder, but well detailed about the modern day job hunt by an average person. Even if he gets one, does it stand up to his moral dimensions? Because some people mind what they are doing, even though getting it after a desperate attempt. Like I said I saw it in a wrong circumstance, but I did not fail to recognise fineness of it. This is one of the best drama films I have seen, especially in the recent times. If you are looking for a realistic portrayal film, this is the one. It might be an under- noticed film today, but the time will come when people look back on this decade for how the lives and society evolved, then this little precious film will impact greater which depicted exactly what's happening right now. What I meant was some films are not meant for the present, despite all the films are made for the present!!! _8/10_
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
Raghuvaran, who is unemployed for years, gets his dream job but a powerful rival is keen to put him down. Can he take on his adversary?
When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.