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**About a father who never gave up on his daughter!** The book was from the 90s and the story is about the 60s. Narrated from the father's perspective, that's what I think did not work in this film. This is where a film and the book does not synch. Because books are always very detail when it describes a person. In the films, they are just a simple visual where viewers have to focus on those details to have a perfect impression like the book. So I totally point out to the writer who did not quite transformed the point of the storytelling. It is not the parents to decide what their kids want to be. The film opened with a couple ready to get married, arguing with their elders about something. Soon it forwards to a few years where their relationship with their daughter seems not good. Further, they become more distant and completely lose her for the unrest in the society and the nation. But father never gives up. His love and care for her leads the way and what comes later is even more disturbing before it all ends. It was Ewan McGregor's directional debut. I don't think he would try it again, not any time soon. But I would appreciate his quality of filmmaking. He only needs a better writer and the screenplay. I also think, he should not direct himself. I never considered him a best actor. I yet to see his performance. The film was not strong enough, if you are from outside the United States. Because what they call this 60s revolution was more a misunderstood by the young people. Particularly that religious thing, they were misled and spoiled their lives. So, instead of focusing that, the film centred on a father-daughter relationship. That is why it was a decent film. Otherwise I would have rated even wrose. _5.5/10_
1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle's rural farm. The World War II impacts each of their lives and finally in old age they meet again.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
Inspired by the music and life of Robert Wyatt, “Rock Bottom” is a self-destructive love story between Bob and Alif, a young couple of artists immersed in the creative whirlwind of the early 70s hippie culture. Drugs will turn a passionate summer into a nightmare in a journey through the themes of Wyatt’s music: the euphoria and anguish of artistic creation, the unconscious fascination with drugs, the disenchantment with routine and physical and mental degradation.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
Set in the period between the two world wars in a seaside village in the bay of Amvrakikos. Two children, Petros (8 years old) and Anthoula (7 years old) spend their summer holidays. During a walk they discover in an isolated shack a boy who lives with his mother. He is rejected by the community because of tuberculosis. Petros and Anthoula become friends with the boy. They encounter the cruelty of the adults and they decide to resist.
Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.
When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.
The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.