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**About a father who never gave up on his daughter!** The book was from the 90s and the story is about the 60s. Narrated from the father's perspective, that's what I think did not work in this film. This is where a film and the book does not synch. Because books are always very detail when it describes a person. In the films, they are just a simple visual where viewers have to focus on those details to have a perfect impression like the book. So I totally point out to the writer who did not quite transformed the point of the storytelling. It is not the parents to decide what their kids want to be. The film opened with a couple ready to get married, arguing with their elders about something. Soon it forwards to a few years where their relationship with their daughter seems not good. Further, they become more distant and completely lose her for the unrest in the society and the nation. But father never gives up. His love and care for her leads the way and what comes later is even more disturbing before it all ends. It was Ewan McGregor's directional debut. I don't think he would try it again, not any time soon. But I would appreciate his quality of filmmaking. He only needs a better writer and the screenplay. I also think, he should not direct himself. I never considered him a best actor. I yet to see his performance. The film was not strong enough, if you are from outside the United States. Because what they call this 60s revolution was more a misunderstood by the young people. Particularly that religious thing, they were misled and spoiled their lives. So, instead of focusing that, the film centred on a father-daughter relationship. That is why it was a decent film. Otherwise I would have rated even wrose. _5.5/10_
As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honorable U.S. Marshal.
The adventures of a group of Texas teens on their last day of school in 1976, centering on student Randall Floyd, who moves easily among stoners, jocks and geeks. Floyd is a star athlete, but he also likes smoking weed, which presents a conundrum when his football coach demands he sign a "no drugs" pledge.
Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.
A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.
Adapted from the novel with the same title. This is a tragedy that occurs in modern China. By a vivid description of the frustrated life story of Gao Jialin, a high school graduate who is first dismissed from teaching post and then enrolled as a journalist in the city and finally dismissed from the post and become a farmer again, this movie presents the young man as a serious issue of how to deal with their life.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Takatoshi Minamiyama majors in art at an university in Kyoto. On the train to the school, he sees Emi Fukuju and falls in love with her at first sight. Gathering up all his courage, he speaks to her. They begin to date and enjoy happy days together, but Emi reveals her secret to him.
