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The Ceremony Is About to Begin 2024 - ()
SNL50 The Anniversary Special 2025 - ()
Mufasa The Lion King 2024 - ()
Hobby Hustle 2025 - ()
Cabrini 2024 - ()
Big Rage 2024 - ()
Return to Office 2025 - ()
SNL50 The Homecoming Concert 2025 - ()
Captain America Brave New World 2025 - ()
The Lord of the Rings The War of the Rohirrim 2024 - ()
The Peanut Man 2024 - ()
The Most Beautiful Girl in The World 2025 - ()
The Dead Thing 2024 - ()
Paddington in Peru 2024 - ()
My Fault London 2025 - ()
Trust in Love 2024 - ()
La Dolce Villa 2025 - ()
Christmas Cowboy 2024 - ()
Emmanuelle 2024 - ()
The Simpsons The Past and the Furious 2025 - ()
**About a father who never gave up on his daughter!** The book was from the 90s and the story is about the 60s. Narrated from the father's perspective, that's what I think did not work in this film. This is where a film and the book does not synch. Because books are always very detail when it describes a person. In the films, they are just a simple visual where viewers have to focus on those details to have a perfect impression like the book. So I totally point out to the writer who did not quite transformed the point of the storytelling. It is not the parents to decide what their kids want to be. The film opened with a couple ready to get married, arguing with their elders about something. Soon it forwards to a few years where their relationship with their daughter seems not good. Further, they become more distant and completely lose her for the unrest in the society and the nation. But father never gives up. His love and care for her leads the way and what comes later is even more disturbing before it all ends. It was Ewan McGregor's directional debut. I don't think he would try it again, not any time soon. But I would appreciate his quality of filmmaking. He only needs a better writer and the screenplay. I also think, he should not direct himself. I never considered him a best actor. I yet to see his performance. The film was not strong enough, if you are from outside the United States. Because what they call this 60s revolution was more a misunderstood by the young people. Particularly that religious thing, they were misled and spoiled their lives. So, instead of focusing that, the film centred on a father-daughter relationship. That is why it was a decent film. Otherwise I would have rated even wrose. _5.5/10_
A marriage. A re-marriage. A pending divorce. It's been five years since Kukoo and Nainaa got married after knowing each other practically all their lives, and now they need to break it to their family that they want a divorce. Kukoo's parents, Bheem and Geeta, a couple that everyone looks up to, have no plans of making Kukoo and Naina's lives easier. They have their own plans and set of surprises in store for the young couple; all this in the middle of Kukoo's sister's wedding.
On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that's when Bill's adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to "rescue" him from the savagery of the untamed jungle, Tommy challenges Bill's idea of true civilization and his notions about who needs rescuing.
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
A female attorney learns that her husband is really a marine officer awol for fifteen years and accused of murdering fifteen civilians in El Salvador. Believing her husband when he tells her that he's being framed as part of a U.S. Military cover-up, the attorney defends him in a military court.
After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).
The film chronicles the rise and fall of the world's most feared drug lord Pablo Escobar and his volatile love affair with Colombia's most famous journalist Virginia Vallejo throughout a reign of terror that tore a country apart.
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.