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It's as true to life as a vodka martini. The above quote is from director Blake Edwards, it's taken from the highly recommended commentary track he provides on the DVD for this excellent and compelling piece of work. Joe is a social drinker but he's social all the time, during one of his arranged parties for a client he meets and falls in love with teetotal Kirsten. They get married and changes start to dominate their marital bliss, he is stressed from work and drinks daily to forget the rigours of the job, she being the loving wife chooses to drink with him to help ease his pain, but soon the joyous days of wine & roses will turn to something dark and terribly turbulent, and this will threaten their own respective sanity. The film begins with Henry Mancini's academy award winning title theme tune, it's a truly beautiful piece of music that perfectly sets the tone of the film for its first third, it lulls you into this couples love, the bond they share is a truly wonderful thing, it really is all sweetness and light, but then the bottle becomes part of this couples life, they become a threesome from which only dark horrors will form. Containing emotionally shattering scenes that once viewed can not be forgotten (witness Joe's soul destroying search for liquor in a greenhouse), Days Of Wine & Roses still manages not to force feed the viewer a moralistic stance, it lays down the facts of alcoholism and the perils of co-dependency with honest appraisal, we as the viewers are left in no doubt that it is us, and us only, that can make of it as we see fit, the ending especially is a particular poser of which we ourselves seek clarity. Wonderfully written by the talented hands of J.P. Miller, Days Of Wine And Roses boasts marvellous direction from Blake Edwards and two academy award nominated performances from Jack Lemmon & Lee Remick, it's a testament to all involved that come the finale the viewer feels drained, yet strangely...not at all thirsty for the amber nectar.
This is an intriguing, heavy drama about the downward spiral into alcoholism, and how it irrevocably tore apart the lives of one man and his wife. I have some respect for Blake Edwards, having seen this, as I previously had a low opinion of him after seeing The Pink Panther, which to this day I do not understand why it was so successful. But I'm not reviewing The Pink Panther, so I'll lay off it for now. In Days of Wine and Roses, Jack Lemmon really is brilliant, and Lee Remick is disturbingly realistic. The film is right up there with The Lost Weekend (1945), and the story carries an important moral lesson, which it delivers with a punch. Would I recommend? Yes. But to the mature viewer, who can really understand and appreciate it.
What a departure for Jack Lemmon this is! Together with the also Oscar nominated Lee Remick, they offer us a really gripping performance. She ("Kirsten") is a tea-total secretary who is introduced to one of the PR guys "Joe" at a boat party. After a bit of a sticky start, she starts to warm to him and they begin to date. He is never far from a bottle; "hit me again" being his most oft used expression and gradually, even after the arrival of a child to this now married couple, he begins to wean her onto the sauce. Despite the best efforts of her father (Charles Bickford) they quickly spiral into a cycle of drunkenness that costs them their jobs, imperils their daughter and as an example of how badly, and completely, alcoholism can come to dominate their lives, this has to be amongst the most potent depiction on film. Jack Klugman ("Hungerford") tries to offer some route to salvation via AA, and we are offered a few less cerebral drying out methods - all of which offer Lemmon a chance to really show what he is made of an an actor. Some of it still quite distressing to watch (especially if you happen to have a drink in your hand at the time). Messrs. Mancini and Mercer came up with the title song, which perhaps features just once too often; but for the most part this really is captivating cinema with both and director Blake Edwards (usually known for much lighter works) on top form.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings - and quickly discovers that he is in over his head.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
Five different criminals face imminent death after botching a job quite badly.