The Third Date

A group of college students stay at school over Christmas to work at a special exhibit in the college's fine art gallery. The students have little in common to each other. When they decide to hold an unplanned Christmas Eve dinner in the gallery, they stumble into a trio of bumbling thugs planning a Holiday Heist of the exhibit. As the students are held hostage, they are forced to learn about themselves and each other, the spirit of Christmas, and get the courage to work together and fight back to foil the thieves. With heartfelt talks, wild escapes, and Christmas romance - the night ends up being a Christmas Eve these new friends will never forget!

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

First Edition is a 1977 American short documentary film about the Baltimore Sun directed by Helen Whitney. It was nominated for an Academy Award for Best Documentary Short.

“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.

Margaret Mee and the Moonflower is a documentary about the life and work of the botanical illustrator, Margaret Mee, a pioneer and a visionary, one of the most important artists of the twentieth century. Through her diaries, interviews and narratives, the film reveals a tireless advocate for the preservation of Brazilian flora, whose love of nature and whose art provide a constant reminder of the need to preserve our environment.

A series of vignettes based upon an imaginative girl's unique outlook on her community.

All-stars from the previous Step Up installments come together in glittering Las Vegas, battling for a victory that could define their dreams and their careers.

The film explores the daily lives of three children with Congenital insensitivity to pain, a rare genetic disorder shared by just a hundred people in the world. Three-year-old Gabby from Minnesota, 7-year-old Miriam from Norway and 10-year-old Jamilah from Germany have to be carefully guarded by their parents so they don't suffer serious, life-altering injuries.

Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger...

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

A filmed conversation between Winton Dean and Jonathan Balcon about their fathers Basil Dean (1888 –1978) and Michael Balcon (1896 –1977). Both men helped to pave the way for the British film industry.